{"id":9554,"date":"2016-11-24T14:30:50","date_gmt":"2016-11-24T12:30:50","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=9554"},"modified":"2019-04-09T12:48:51","modified_gmt":"2019-04-09T10:48:51","slug":"souvenir-de-creation-emmanuelle-ophele-flutiste","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2016\/11\/souvenir-de-creation-emmanuelle-ophele-flutiste\/","title":{"rendered":"Souvenir de cr\u00e9ation. Emmanuelle Oph\u00e8le, fl\u00fbtiste."},"content":{"rendered":"

\"<\/span><\/span>
\n\u00c0 <\/span>l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, nous avons demand\u00e9 \u00e0 chaque soliste de nous faire part d\u2019un souvenir marquant de cr\u00e9ation. Leurs t\u00e9moignages composent un tableau vivant et contrast\u00e9 des coulisses de l\u2019Ensemble et de la cr\u00e9ation musicale. Aujourd’hui c’est Emmanuelle Oph\u00e8le, fl\u00fbtiste \u00e0\u00a0l\u2019EIC depuis\u00a01987, \u00a0qui partage avec nous\u00a0son \u00ab\u00a0souvenir de cr\u00e9ation\u00a0\u00bb.<\/strong><\/span><\/p>\n

> Cr\u00e9ation de Hypermusic Prologue, a Projective Opera in Seven Planes<\/em> (2009), op\u00e9ra de chambre avec \u00e9lectronique d\u2019H\u00e8ctor Parra, le 14 juin 2009, dans le cadre du festival Agora sous la direction de Clement Power.<\/span><\/span><\/p>\n

Une cr\u00e9ation, c\u2019est toujours une \u00e9motion : le compositeur vous offre son travail, parfois son intimit\u00e9. Vous devenez cet \u00e9l\u00e9ment essentiel qui va transmettre l\u2019\u0153uvre au public, le plus fid\u00e8lement possible, qu\u2019elle vous plaise ou non\u2026 C\u2019est en mai 2009 que nous avons d\u00e9couvert la musique d\u2019H\u00e8ctor Parra, jeune compositeur espagnol. Nous \u00e9tions huit instrumentistes r\u00e9unis autour de la pr\u00e9paration de son op\u00e9ra de chambre Hypermusic Prologue<\/em>, sur un livret de la physicienne Lisa Randall. Une soprano et un baryton nous ont rejoint un peu plus tard, ainsi que de l\u2019\u00e9lectronique en temps r\u00e9el.<\/span>
\n
\n<\/a> \"_dsc0044\"
\nJe me souviens avec \u00e9motion des premi\u00e8res r\u00e9p\u00e9titions, durant lesquelles chacun apprivoisait ce nouveau langage musical, un langage tr\u00e8s personnel d\u00e9bordant d\u2019une grande expressivit\u00e9. H\u00e8ctor nous proposait une musique d\u2019une grande pr\u00e9cision, rythmiquement et musicalement complexe, et un phras\u00e9 tr\u00e8s vari\u00e9 ponctu\u00e9 de nuances extr\u00eames, dont le son \u00e9tait anim\u00e9 par un souffle tout \u00e0 fait particulier, bien diff\u00e9rent du simple vibrato. Nous \u00e9tions \u00e9blouis.<\/span><\/p>\n

\"
\n<\/span><\/p>\n

 <\/p>\n

Photos (de haut en bas)\u00a0: 1 \u00a9 Franck Ferville \/ 2-3 \u00a9 Luc Hossepied pour l’Ensemble intercontemporain
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, nous avons demand\u00e9 \u00e0 chaque soliste de nous faire part d\u2019un souvenir marquant de cr\u00e9ation. <\/p>\n","protected":false},"author":5,"featured_media":9702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[176],"class_list":["post-9554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-emmanuelle-ophele"],"acf":[],"yoast_head":"\nSouvenir de cr\u00e9ation. 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