{"id":7756,"date":"2015-03-25T10:00:47","date_gmt":"2015-03-25T08:00:47","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=7756"},"modified":"2015-03-25T10:00:47","modified_gmt":"2015-03-25T08:00:47","slug":"a-pierre","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2015\/03\/a-pierre\/","title":{"rendered":"\u00c0 Pierre."},"content":{"rendered":"

\"Pierre<\/a>
\nCinq solistes de l\u2019Ensemble livrent leur t\u00e9moignage sur Pierre Boulez \u00e0 l\u2019occasion de ses 90 ans.<\/em><\/span>
\nS<\/span>ophie Cherrier, fl\u00fbtiste<\/strong>
\n\"Cherrier-Sophie\u00a9Franck<\/a>
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\nEn novembre 1985, Pierre Boulez m\u2019a demand\u00e9 de jouer Originel<\/em> (qui, par la suite, prendra sa place \u00e0 la fin de \u2026explosante-fixe\u2026<\/em>) en hommage \u00e0 notre ami Larry Beauregard, fl\u00fbtiste de l\u2019Ensemble intercontemporain qui venait de nous quitter. Il m\u2019a remis trois pages de cette pi\u00e8ce pour fl\u00fbte seule : des notes, des rythmes, des \u00ab V \u00bb synonymes de petites pauses\u2026 auxquels je ne parvenais pas \u00e0 donner un sens. Je suis all\u00e9e \u00e0 l\u2019Ircam pour la lui jouer et je me souviens parfaitement de ce qu\u2019il m\u2019a dit : \u00ab \u00c7a ne va pas, revenez dans quarante-huit heures \u00bb.\u00a0Quarante-huit heures plus tard, le bijou qu\u2019est M\u00e9moriale<\/em> (\u2026explosante-fixe\u2026<\/em> Originel<\/em>) \u00e9tait n\u00e9. Pour l\u2019interpr\u00e8te, la pi\u00e8ce prenait tout son sens et sa magie : les \u00ab V \u00bb sont devenus des espaces suspendus avec tr\u00e9molos et la fl\u00fbte solo est soutenue par six instruments \u00e0 cordes (avec sourdines de plomb), et deux cors.\u00a0Cette pi\u00e8ce intime, toute en douceur, peut \u00eatre jou\u00e9e seule, ou encha\u00een\u00e9e au c\u00e9l\u00e8bre Syrinx de Claude Debussy. Deux g\u00e9nies ainsi c\u00f4te \u00e0 c\u00f4te, c\u2019est un pur bonheur pour nous fl\u00fbtistes.\u00a0Merci Pierre !
\n 
\nA<\/span>lain Damiens, clarinettiste<\/strong>
\n\"Damiens_Alain_2\u00a9Aymeric<\/a>
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\nAvec Pierre Boulez, la musique est avant tout geste, mouvement, direction, m\u00eame au c\u0153ur d\u2019un simple son, en apparence immobile. Elle nous chuchote ou nous crie que le d\u00e9passement de la conscience imm\u00e9diate est une condition pour acc\u00e9der \u00e0 la vie r\u00e9elle. Ainsi tout acte musical, toute p\u00e9dagogie, doit traiter de la relation \u00e0 l\u2019espace et au temps par le passage, entre les si\u00e8cles\u2026 Voil\u00e0 le plus important que m\u2019a appris et transmis Pierre Boulez.
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\nH<\/span>ae-Sun Kang, violoniste<\/strong>
\n\"Kang_Hae-Sun\u00a9Franck<\/a>
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\nJe garderai toujours le souvenir du travail que j\u2019ai fait avec Pierre Boulez sur Anth\u00e8mes II.<\/em> Ce sont des moments inoubliables. Je mesure chaque jour davantage la chance immense que j\u2019ai eue de cr\u00e9er avec lui une pi\u00e8ce solo. Je ne m\u2019en suis pas rendue compte sur le moment : je me souviens surtout d\u2019avoir travaill\u00e9 comme une folle lorsque j\u2019ai re\u00e7u la partition. Les pages de la partition sont arriv\u00e9es toutes ensemble par fax. Noires de notes, il me fallait les apprendre en deux jours afin de les enregistrer, dans les studios de l\u2019Ircam, pour que Pierre puisse ensuite s\u2019absorber totalement dans la partie \u00e9lectronique. Le travail a \u00e9t\u00e9 intense. Ce sont des exp\u00e9riences uniques, qui marquent une vie de musicien.
\n 
\nP<\/span>aul Riveaux, bassoniste<\/strong>
\n\"Riveaux_Paul\u00a9Franck<\/a>
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\nJe n\u2019oublierai jamais le regard insondable, abyssal, galactique de Pierre Boulez dirigeant R\u00e9pons,<\/em> \u00e0 la toute fin de l\u2019\u0153uvre, quand ces derniers et magnifiques accords des solistes laissent place petit \u00e0 petit \u00e0 l\u2019\u00e9lectronique, ce moment magique o\u00f9, la lumi\u00e8re s\u2019\u00e9teignant progressivement, il nous emmenait avec lui dans cette sorte d\u2019\u00e9trange songe, dans l\u2019immensit\u00e9 et le myst\u00e8re de l\u2019espace, du temps, de la nuit.
\n 
\nJ<\/span>ean-Christophe Vervoitte, corniste<\/strong>
\n\"Vervoitte_Jean-Christophe_2\u00a9Aymeric<\/a>
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\nSi je pouvais, en quelques mots \u00e9voquer l\u2019un de mes souvenirs v\u00e9cus pendant toutes ces ann\u00e9es de musique partag\u00e9es avec Pierre Boulez, c\u2019est la \u00ab grand-messe \u00bb de R\u00e9pons<\/em> que je choisirais tant l\u2019\u00e9motion partag\u00e9e avec Pierre \u00e9tait grande lors de ces concerts donn\u00e9s dans de grandes salles comme au Carnegie Hall de New-York, \u00e0 Vienne ou \u00e0 Salzbourg.\u00a0Deux instants magiques me touchaient particuli\u00e8rement \u00e0 l\u2019occasion de ces concerts. L\u2019\u00e9motion, le frisson que je ressentais lorsqu\u2019il donnait le d\u00e9part de l\u2019\u00e9lectronique au chiffre 22. Je fixais sa main, toujours l\u00e9g\u00e8rement tremblante \u00e0 ce moment.\u00a0Et puis, surgissait ce d\u00e9ferlement prodigieux du son amplifi\u00e9 des six solistes, que je comparerais toujours \u00e0 celui du d\u00e9but de la Cinqui\u00e8me Symphonie de Beethoven ou \u00e0 une de ces improvisations dionysiaques dont Cochereau avait le secret \u00e0 Notre-Dame de Paris. \u00a0L\u2019autre moment, c\u2019\u00e9tait \u00e0 la fin de la pi\u00e8ce, lorsque l\u2019intensit\u00e9 de la lumi\u00e8re diminuait et qu\u2019en observant Pierre dispara\u00eetre dans l\u2019obscurit\u00e9, je me disais int\u00e9rieurement : \u00ab Tu as de la chance d\u2019\u00eatre l\u00e0, aujourd\u2019hui\u2026 \u00bb
\n———————————————————-
\nPhotos (de haut en bas) : \u00a0Pierre Boulez (c) Philippe Gontier \/ Sophie Cherrier (c) Franck Ferville \/ Alain Damiens (c) Aymeric Warm\u00e9-Janville \/ Hae Sun Kang\u00a0(c) Franck Ferville \/ Paul Riveaux\u00a0(c) Franck Ferville \/ Jean-Christophe Vervoitte\u00a0(c) Aymeric Warm\u00e9-Janville<\/p>\n","protected":false},"excerpt":{"rendered":"

Cinq solistes de l\u2019Ensemble livrent leur t\u00e9moignage sur Pierre Boulez \u00e0 l\u2019occasion de ses 90 ans.<\/span><\/p>\n","protected":false},"author":59,"featured_media":7765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[105,16,44,50,17,81],"class_list":["post-7756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-alain-damiens","tag-hae-sun-kang","tag-jean-christophe-vervoitte","tag-paul-riveaux","tag-pierre-boulez","tag-sophie-cherrier"],"acf":[],"yoast_head":"\n\u00c0 Pierre. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2015\/03\/a-pierre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 Pierre. - 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