{"id":4485,"date":"2012-04-24T10:00:18","date_gmt":"2012-04-24T08:00:18","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=4485"},"modified":"2012-04-24T10:00:18","modified_gmt":"2012-04-24T08:00:18","slug":"entretien-avec-nora-gubisch","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2012\/04\/entretien-avec-nora-gubisch\/","title":{"rendered":"Entretien avec Nora Gubisch"},"content":{"rendered":"

\"\"<\/a>
\nLa mezzo soprano Nora Gubisch interpr\u00e9tera pour la premi\u00e8re fois de sa carri\u00e8re les \u00ab\u00a0Folk Songs\u00a0\u00bb de Luciano Berio\u00a0 au cours d’une tourn\u00e9e qui passera par Paris le 25 avril <\/a>puis Bordeaux le 28 avril<\/a>, apr\u00e8s s’\u00eatre arr\u00eat\u00e9e \u00e0 Madrid et Lyon. L’occasion de lui poser trois questions sur cette\u00a0\u0153uvre atypique du compositeur italien ainsi que sur les Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9<\/em> de Maurice Ravel dont la chanteuse r\u00e9v\u00e9lera tout le raffinement sonore.
\nComment avez-vous abord\u00e9 la diversit\u00e9 des langues dans les Folk Songs<\/em> de Luciano Berio ?
\n[dewplayer:http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2012\/04\/Gubisch_Berio.mp3]
\nQuelles sont les sp\u00e9cificit\u00e9s vocales des Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9<\/em> de Maurice Ravel ?
\n[dewplayer:http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2012\/04\/Gubisch_Ravel.mp3]
\n\"\"<\/a>
\nLes Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9 <\/em>de Ravel et les Folk Songs <\/em>de Berio\u00a0 mobilisent des aptitudes vocales tr\u00e8s diff\u00e9rentes. Comment conciliez-vous l’interpr\u00e9tation\u00a0de ces deux \u0153uvres au cours d\u2019un m\u00eame concert ?
\n[dewplayer:http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2012\/04\/Gubisch_deRavelaBerio.mp3]
\n\"\"<\/a>
\n——————————
\nEntretien r\u00e9alis\u00e9 par V\u00e9ronique Brindeau
\nMontage : Benjamin Bibas (Radiofonies Europe)
\nPhotos : Portrait de Nora Gubisch copyright\u00a0 Brian Benson\u00a0 \/ autres photos copyright\u00a0 Luc Hossepied<\/p>\n","protected":false},"excerpt":{"rendered":"

La mezzo soprano Nora Gubisch interpr\u00e9tera pour la premi\u00e8re fois de sa carri\u00e8re les \u00ab\u00a0Folk Songs\u00a0\u00bb de Luciano Berio\u00a0 au cours d’une tourn\u00e9e qui passera par Paris le 25 avril puis Bordeaux le 28 avril, apr\u00e8s s’\u00eatre arr\u00eat\u00e9e \u00e0 Madrid et Lyon. L’occasion de lui poser trois questions sur cette oeuvre atypique du compositeur italien ainsi que sur les Trois po\u00e8mes de St\u00e9phane Mallarm\u00e9<\/em> de Maurice Ravel dont la chanteuse r\u00e9v\u00e9lera tout le raffinement sonore.<\/p>\n","protected":false},"author":8,"featured_media":4501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[504,32,505,506],"class_list":["post-4485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-folk-songs","tag-luciano-berio","tag-maurice-ravel","tag-nora-gubisch"],"acf":[],"yoast_head":"\nEntretien avec Nora Gubisch - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2012\/04\/entretien-avec-nora-gubisch\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entretien avec Nora Gubisch - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"La mezzo soprano Nora Gubisch interpr\u00e9tera pour la premi\u00e8re fois de sa carri\u00e8re les "Folk Songs" de Luciano Berio\u00a0 au cours d'une tourn\u00e9e qui passera par Paris le 25 avril puis Bordeaux le 28 avril, apr\u00e8s s'\u00eatre arr\u00eat\u00e9e \u00e0 Madrid et Lyon. 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