{"id":3701,"date":"2016-04-10T15:00:38","date_gmt":"2016-04-10T13:00:38","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=3701"},"modified":"2019-04-09T17:38:19","modified_gmt":"2019-04-09T15:38:19","slug":"jonathan-harvey-death-of-light-light-of-death","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2016\/04\/jonathan-harvey-death-of-light-light-of-death\/","title":{"rendered":"Jonathan Harvey : Death of Light, Light of Death"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"akg_40463_webII\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/04\/akg_40463_webII.jpg\" alt=\"\" width=\"567\" height=\"482\" \/><br \/>\n<span style=\"font-size: 14pt;\">Le 28\u00a0avril 2016 \u00e0 Barcelone, les solistes de l&rsquo;Ensemble intercontemporain interpr\u00e9teront\u00a0<em>Death of Light\/Light of Death<\/em> de Jonathan Harvey, avant de reprendre cette pi\u00e8ce le 5 mai \u00e0 Cologne. Nous r\u00e9\u00e9ditons pour l&rsquo;occasion un guide d&rsquo;\u00e9coute audio analysant une \u0153uvre qui\u00a0 synth\u00e9tise le r\u00f4le que le compositeur britannique attribue \u00e0 la musique : <em>\u00ab le propos de la musique est \u00e0 mes yeux de r\u00e9v\u00e9ler la nature de la souffrance et de la gu\u00e9rison. C&rsquo;est la grande question de l&rsquo;existence. \u00bb<\/em><\/span><\/p>\n<p><strong>Introduction \u00e0 <em>Death of Light\/Light of Death<\/em> par Jonathan Harvey<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"908912_03\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/Harvey908912_031.jpg\" alt=\"\" width=\"492\" height=\"495\" \/><br \/>\n<span style=\"font-size: 14pt;\"><em>Death of Light\/Light of Death<\/em> \u00e9t\u00e9 \u00e9crite d&rsquo;apr\u00e8s la \u00ab Crucifixion \u00bb figurant dans le Retable d\u2019Issenheim de Gr\u00fcnewald. Elle a \u00e9t\u00e9 command\u00e9e par le Mus\u00e9e d\u2019Unterlinden de Colmar et l\u2019Ensemble intercontemporain pour le concert annuel du Vendredi Saint et cr\u00e9\u00e9e le vendredi 10 avril 1998 par les solistes de l\u2019Ensemble intercontemporain devant le Retable de Gr\u00fcnewald au Mus\u00e9e d\u2019Unterlinden. L\u2019\u0153uvre comprend 5 moments ou mouvements :<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">1. J\u00e9sus crucifi\u00e9<\/span><br \/>\n<span style=\"font-size: 14pt;\">Le corps sur la croix portant les horribles cicatrices d\u2019une terrible torture physique.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">2. Marie Madeleine<\/span><br \/>\n<span style=\"font-size: 14pt;\">Agenouill\u00e9e, pench\u00e9e en arri\u00e8re pour regarder follement, passionn\u00e9ment J\u00e9sus, les mains implorantes.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">3. Marie, m\u00e8re de J\u00e9sus<\/span><br \/>\n<span style=\"font-size: 14pt;\">P\u00e2le, \u00e9vanouie, presque morte, \u00e9puis\u00e9e.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">4. Jean l\u2019ap\u00f4tre<\/span><br \/>\n<span style=\"font-size: 14pt;\">Tenant le corps inanim\u00e9 de Marie, pleurant d\u00e9sesp\u00e9r\u00e9.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">5. Jean-Baptiste<\/span><br \/>\n<span style=\"font-size: 14pt;\">Par contraste, compl\u00e8tement impassible, solennel, voyant un autre monde, tandis que de l\u2019autre c\u00f4t\u00e9 de la peinture, il d\u00e9signe son sujet, J\u00e9sus.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Les cinq personnages de la toile de Gr\u00fcnewald sont d\u00e9crits, tour \u00e0 tour, par la musique. On ressent v\u00e9ritablement dans cette peinture qu\u2019une catastrophe s\u2019est produite, ce qui lui donne un attrait particulier pour les sensibilit\u00e9s de notre temps. Peut-\u00eatre aucune crucifixion n&rsquo;a-t-elle jamais sembl\u00e9 aussi d\u00e9vastatrice, la Lumi\u00e8re a m\u00eame disparu. Cependant, du c\u00f4t\u00e9 oppos\u00e9 \u00e0 la croix, Jean-Baptiste, un personnage sorti des morts, appara\u00eet au cort\u00e8ge fun\u00e8bre endeuill\u00e9. Il montre que, malgr\u00e9 les apparences, les \u00e9vangiles seront \u00e9crits \u2013 il les tient dans sa main \u2013 et d\u00e9signe ainsi la mort de J\u00e9sus comme un message d\u2019espoir. Dans la mort elle-m\u00eame, la signification ultime peut \u00eatre proph\u00e9tiquement trouv\u00e9e par ceux qui ont des yeux pour voir \u2013 un message pour toutes les religions, toutes les croyances et non-croyances.<\/span><\/p>\n<p><span style=\"font-size: 14pt;\">Jonathan Harvey<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>1-Introduction musicale<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/1-Jonathan-Harvey.mp3?_=1\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/1-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/1-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>2-Le retable de Gr\u00fcnewald<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/2-jonathanharvey.mp3?_=2\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/2-jonathanharvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/2-jonathanharvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>3-Interview avec Didier Pateau, hautbois<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/3-Jonathan-Harvey.mp3?_=3\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/3-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/3-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>4-Premier mouvement (extrait)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/4-Jonathan-Harvey.mp3?_=4\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/4-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/4-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>5-Le retable de Gr\u00fcnewald,\u00a0 par Jonathan Harvey<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/5-Jonathan-Harvey.mp3?_=5\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/5-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/5-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>6-Jonathan Harvey commente le troisi\u00e8me mouvement<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/6-Jonathan-Harvey.mp3?_=6\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/6-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/6-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>7-Premier mouvement (r\u00e9p\u00e9tition)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/7-Jonathan-Harvey.mp3?_=7\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/7-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/7-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>8-Deuxi\u00e8me mouvement (r\u00e9p\u00e9tition et extrait)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/8-Jonathan-Harvey.mp3?_=8\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/8-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/8-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>9-Interview avec Pierre Strauch, violoncelle<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/9-Jonathan-Harvey.mp3?_=9\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/9-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/9-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>10-Troisi\u00e8me mouvement (extrait)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/10-Jonathan-Harvey.mp3?_=10\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/10-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/10-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>11-Quatri\u00e8me mouvement (extrait)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/11-Jonathan-Harvey.mp3?_=11\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/11-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/11-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>12-Interview avec Fr\u00e9d\u00e9rique Cambreling, harpe<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/12-Jonathan-Harvey.mp3?_=12\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/12-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/12-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>13- Jonathan Harvey commente le cinqui\u00e8me mouvement<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/13-Jonathan-Harvey.mp3?_=13\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/13-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/13-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><strong>14-Cinqui\u00e8me mouvement (extrait)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3701-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/14-Jonathan-Harvey.mp3?_=14\" \/><a href=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/14-Jonathan-Harvey.mp3\">http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2011\/06\/14-Jonathan-Harvey.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt;\">Conception et pr\u00e9sentation : Sophie Barrouyer \/ Prise de son et mixage :\u00a0 Jean Radel \/ Avec la participation de Fr\u00e9d\u00e9rique Cambreling, Didier Pateau, Pierre Strauch, Jonathan Harvey, Albert Raber \/Editeur : Faber<\/span><\/p>\n<p>Photo Jonathan Harvey \u00a9 Philippe Gontier<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le 28 avril 2016 \u00e0 Barcelone, les solistes de l&rsquo;Ensemble intercontemporain interpr\u00e9teront <em>Death of Light\/Light of Death<\/em>, de Jonathan Harvey, avant de reprendre cette pi\u00e8ce le 5 mai \u00e0 Cologne. L&rsquo;occasion de red\u00e9couvrir un guide d&rsquo;\u00e9coute audio sur l&rsquo;\u0153uvre, \u00e9dit\u00e9 peu apr\u00e8s sa cr\u00e9ation en 1998. <\/p>\n","protected":false},"author":14,"featured_media":3865,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[157,663,710],"class_list":["post-3701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-jonathan-harvey","tag-musique-de-chambre","tag-retable-de-grunewald","concert-death-of-light-light-of-death","concert-repetition-publique"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jonathan Harvey : Death of Light, Light of Death - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2016\/04\/jonathan-harvey-death-of-light-light-of-death\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jonathan Harvey : Death of Light, Light of Death - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 28 avril 2016 \u00e0 Barcelone, les solistes de l&#039;Ensemble intercontemporain interpr\u00e9teront Death of Light\/Light of Death, de Jonathan Harvey, avant de reprendre cette pi\u00e8ce le 5 mai \u00e0 Cologne. 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