{"id":30981,"date":"2026-06-25T17:00:49","date_gmt":"2026-06-25T15:00:49","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=30981"},"modified":"2026-06-25T17:07:00","modified_gmt":"2026-06-25T15:07:00","slug":"lucas-ounissi-le-trombone-a-lere-de-lelectronique","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/06\/lucas-ounissi-le-trombone-a-lere-de-lelectronique\/","title":{"rendered":"Lucas Ounissi : le trombone \u00e0 l\u2019\u00e8re de l\u2019\u00e9lectronique"},"content":{"rendered":"

\"\"
\n\u00c0<\/span> l\u2019Ircam, le trombone devient un terrain d\u2019exp\u00e9rimentation o\u00f9 se rencontrent \u00e9criture, improvisation et \u00e9lectronique en temps r\u00e9el. Avec Rootlines<\/em> de Marta Haladzhun et What Comes Out of Your Mouth<\/em> de Donghyuk Lee, Lucas Ounissi explore deux visions radicalement diff\u00e9rentes de l\u2019instrument. Deux \u0153uvres contrast\u00e9es issues de l\u2019Acad\u00e9mie ManiFeste, \u00e0 d\u00e9couvrir le samedi 27 juin \u00e0 l’Ircam<\/a>.<\/strong><\/span><\/p>\n

Quand on m\u2019a envoy\u00e9 il y a quelques mois des enregistrements d\u2019une soixantaine de compositeurs et compositrices, deux personnalit\u00e9s se sont imm\u00e9diatement distingu\u00e9es \u00e0 mes oreilles : Marta Haladzhun et Donghyuk Lee. Leur s\u00e9lection pour l\u2019Acad\u00e9mie ManiFeste s\u2019est alors impos\u00e9e comme une \u00e9vidence et nous leur avons propos\u00e9 d\u2019\u00e9crire une pi\u00e8ce pour trombone et \u00e9lectronique. J\u2019ai pu \u00e9changer individuellement avec Marta et Donghyuk afin de leur pr\u00e9senter plus en d\u00e9tail mon instrument, ses modes de jeu \u00e9tendus, mais aussi ce que j\u2019aime.<\/span><\/p>\n

Pendant les deux semaines de l\u2019Acad\u00e9mie, nous nous sommes retrouv\u00e9s \u00e0 trois reprises dans les studios de l\u2019Ircam, sans compter la g\u00e9n\u00e9rale et le concert. Les premi\u00e8res s\u00e9ances ont \u00e9t\u00e9 consacr\u00e9es \u00e0 des prises de sons, \u00e0 des essais de traitements en temps r\u00e9el et \u00e0 toutes sortes d’exp\u00e9rimentations. Marta et Donghyuk ont ensuite avanc\u00e9 de leur c\u00f4t\u00e9 sur la partie \u00e9lectronique, si bien que notre troisi\u00e8me rencontre a surtout servi \u00e0 r\u00e9gler les derniers d\u00e9tails.<\/span><\/span><\/p>\n

\"\"
\nCe qui me pla\u00eet particuli\u00e8rement, c\u2019est que les deux pi\u00e8ces sont tr\u00e8s diff\u00e9rentes tout en \u00e9tant, \u00e0 mes yeux, \u00e9galement r\u00e9ussies. Celle de Marta Haladzhun, Rootlines<\/em>, est une \u0153uvre tr\u00e8s conceptuelle dont l\u2019\u00e9criture s\u2019\u00e9loigne beaucoup de celle d’une partition traditionnelle. Elle se compose de neuf blocs de quinze secondes \u00e0 un peu plus d\u2019une minute, chacun accompagn\u00e9 d\u2019une consigne de jeu : tenir une note grave en faisant \u00e9merger certaines harmoniques, improviser \u00e0 partir de quelques modes de jeu sur des dynamiques d\u00e9finies, construire un tr\u00e8s long crescendo puis un decrescendo \u2026 \u00c0 cela s\u2019ajoutent des traitements en temps r\u00e9el et une \u00e9lectronique particuli\u00e8rement vivante. Pour moi, c\u2019est un vrai d\u00e9fi, car la pi\u00e8ce fait appel \u00e0 des techniques assez rares, mais passionnantes \u00e0 explorer.<\/span><\/p>\n

\u00c0 l\u2019inverse, What Comes Out of Your Mouth<\/em> de Donghyuk Lee est une pi\u00e8ce tr\u00e8s \u00e9crite. Ici, aucune place pour l\u2019improvisation : je dois suivre un clic en permanence afin de rester parfaitement synchronis\u00e9 avec les traitements en temps r\u00e9el et les diff\u00e9rents \u00e9v\u00e9nements de l\u2019\u00e9lectronique. <\/span>La relation entre le trombone et l\u2019\u00e9lectronique est d\u2019une pr\u00e9cision redoutable. La partie instrumentale est elle aussi tr\u00e8s contrast\u00e9e, alternant passages lyriques et moments beaucoup plus secs, incisifs et rythmiques.<\/span><\/p>\n

Finalement, ces deux \u0153uvres sont presque aux antipodes l\u2019une de l\u2019autre mais elles ont un point commun : elles ne laissent pas indiff\u00e9rent. Qu\u2019on aime ou non, il est difficile d\u2019y rester insensible !<\/span><\/p>\n

Photos : \u00a9 EIC<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 l\u2019Ircam, le trombone devient un terrain d\u2019exp\u00e9rimentation o\u00f9 se rencontrent \u00e9criture, improvisation et \u00e9lectronique en temps r\u00e9el. Avec \u00ab\u00a0Rootlines\u00a0\u00bb de Marta Haladzhun et \u00ab\u00a0What Comes Out of Your Mouth\u00a0\u00bb de Donghyuk Lee, Lucas Ounissi explore deux visions radicalement diff\u00e9rentes de l\u2019instrument. Deux \u0153uvres contrast\u00e9es issues de l\u2019Acad\u00e9mie ManiFeste, \u00e0 d\u00e9couvrir le samedi 27 juin \u00e0 l’Ircam.<\/p>\n","protected":false},"author":14,"featured_media":30982,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-30981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-ircam-solo-et-electronique"],"acf":[],"yoast_head":"\nLucas Ounissi : le trombone \u00e0 l\u2019\u00e8re de l\u2019\u00e9lectronique - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/06\/lucas-ounissi-le-trombone-a-lere-de-lelectronique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lucas Ounissi : le trombone \u00e0 l\u2019\u00e8re de l\u2019\u00e9lectronique - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"\u00c0 l\u2019Ircam, le trombone devient un terrain d\u2019exp\u00e9rimentation o\u00f9 se rencontrent \u00e9criture, improvisation et \u00e9lectronique en temps r\u00e9el. 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