{"id":30901,"date":"2026-05-29T09:50:12","date_gmt":"2026-05-29T07:50:12","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=30901"},"modified":"2026-05-29T09:50:12","modified_gmt":"2026-05-29T07:50:12","slug":"les-precipitations-de-tobias-feierabend","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/05\/les-precipitations-de-tobias-feierabend\/","title":{"rendered":"Les \u00ab\u00a0Pr\u00e9cipitations\u00a0\u00bb de Tobias Feierabend"},"content":{"rendered":"

\"\"
\nC<\/span>omment composer aujourd\u2019hui pour la fl\u00fbte seule apr\u00e8s tant de chefs-d\u2019\u0153uvre du r\u00e9pertoire ? Avec Pr\u00e9cipitations,<\/em> Tobias Feierabend rel\u00e8ve le d\u00e9fi en imaginant pour Emmanuelle Oph\u00e8le une pi\u00e8ce aussi physique qu’intens\u00e9ment th\u00e9\u00e2trale. Une travers\u00e9e en quatre sc\u00e8nes \u00e0 d\u00e9couvrir le 5 juin \u00e0 la Philharmonie de Paris<\/a>.<\/strong><\/span><\/p>\n

Mes Pr\u00e9cipitations<\/em> pour fl\u00fbte sont le fruit d\u2019un travail de longue haleine avec Emmanuelle Oph\u00e8le, \u00e0 qui elles sont d\u00e9di\u00e9es. Musicienne au sens le plus fort du terme, elle a su b\u00e2tir avec moi, entre patience et ardeur, accueillir le doute, sugg\u00e9rer et proposer, jusqu\u2019\u00e0 obtenir une partition taill\u00e9e sur mesure.<\/span>
\n\u00c9crire pour la fl\u00fbte seule est aujourd\u2019hui une gageure. C\u2019est un instrument que j\u2019aime et que je trouve puissamment \u00e9vocateur et versatile, mais qui est aussi charg\u00e9 de r\u00e9pertoires incommensurables, pass\u00e9s et pr\u00e9sents. De fait, ma partition doit autant \u00e0 Claude Debussy, \u00e0 Salvatore Sciarrino, \u00e0 Klaus Huber et \u00e0 Gy\u00f6rgy Kurt\u00e1g, qu\u2019\u00e0 Jethro Tull, aux ornements de musiciens mandingues et aux rythmiques de fl\u00fbtistes-beatboxers glan\u00e9es ici et l\u00e0 sur Internet\u2026<\/span>
\nPourtant, plus que jamais en \u00e9crivant pour Emmanuelle Oph\u00e8le, il m\u2019a sembl\u00e9 que quelque chose se jouerait en de\u00e7\u00e0 des notes, ou peut-\u00eatre au-del\u00e0. Quelque chose de plus essentiel. Une th\u00e9\u00e2tralit\u00e9. L\u2019enjeu ne serait pas de trouver une forme \u00e0 cette pi\u00e8ce, mais bien une dramaturgie. L\u2019interpr\u00e8te ne serait ni tout \u00e0 fait un personnage, ni une simple instrumentiste \u2013 une protagoniste. Pas de texte dans cette musique, ni de sous-texte, ni de pr\u00e9texte, mais l\u2019int\u00e9gralit\u00e9 de son corps nous engagerait dans une sorte de travers\u00e9e, dans une trame \u2013 une action.<\/span>
\nSi les quatre mouvements qui s\u2019encha\u00eenent dans cette partition peuvent donc s\u2019imaginer comme autant de sc\u00e8nes, la premi\u00e8re nous projette d\u2019embl\u00e9e au bord d\u2019un pr\u00e9cipice. Haletante, f\u00e9brile, la fl\u00fbtiste s\u2019efforce de contenir une musique dont les volutes (dr\u00f4lement impressionnistes) risquent \u00e0 tout moment de l\u2019entra\u00eener dans leur chute.<\/span><\/p>\n

Photo : source henry-lemoine.com<\/p>\n","protected":false},"excerpt":{"rendered":"

Comment \u00e9crire aujourd\u2019hui pour la fl\u00fbte seule apr\u00e8s tant de chefs-d\u2019\u0153uvre du r\u00e9pertoire ? Avec \u00ab\u00a0Pr\u00e9cipitations\u00a0\u00bb, Tobias Feierabend rel\u00e8ve le d\u00e9fi en imaginant pour Emmanuelle Oph\u00e8le une pi\u00e8ce intens\u00e9ment th\u00e9\u00e2trale. Une travers\u00e9e en quatre sc\u00e8nes \u00e0 d\u00e9couvrir le 5 juin \u00e0 la Philharmonie de Paris.<\/p>\n","protected":false},"author":249,"featured_media":30902,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-30901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-troussova"],"acf":[],"yoast_head":"\nLes "Pr\u00e9cipitations" de Tobias Feierabend - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/05\/les-precipitations-de-tobias-feierabend\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les "Pr\u00e9cipitations" de Tobias Feierabend - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Comment \u00e9crire aujourd\u2019hui pour la fl\u00fbte seule apr\u00e8s tant de chefs-d\u2019\u0153uvre du r\u00e9pertoire ? 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