le 15 avril<\/a> l\u2019une des \u0153uvres majeures du compositeur Morton Feldman, \u00e9crite en hommage \u00e0 son ami, le peintre am\u00e9ricain Philip Guston. D\u2019une dur\u00e9e de quatre heures, cette pi\u00e8ce repr\u00e9sente un v\u00e9ritable d\u00e9fi pour les musiciens, comme l\u2019explique la fl\u00fbtiste Emmanuelle Oph\u00e8le.<\/strong><\/span><\/p>\nQuand on nous a propos\u00e9 de jouer For Philip Guston<\/em> \u00e0 la Bourse du commerce, je n\u2019y ai pas cru. Jouer dans ce lieu magnifique ? Plus de quatre heures de musique ? C\u2019\u00e9tait pour moi une \u00e9vidence que l\u2019Ensemble devait r\u00e9pondre \u00e0 cette invitation. J\u2019ai tout de suite accept\u00e9, et il n\u2019en fallut pas plus pour convaincre Aur\u00e9lien Gignoux [percussionniste], qui en a parl\u00e9 \u00e0 son tour \u00e0 Ninon Hannecart-S\u00e9gal [pianiste], pour que le trio soit form\u00e9 !<\/span><\/p>\nC\u2019est un projet fou, tr\u00e8s exp\u00e9rimental, qui joue sur les sensations des musiciens et des spectateurs. Aucun de nous n\u2019a d\u00e9j\u00e0 donn\u00e9 plus de quatre heures de musique sans interruption, c\u2019est une v\u00e9ritable performance. Le plus intriguant est qu\u2019au premier abord, la partition ne semble pas si difficile. Mais plus je la travaille, plus je me rends compte de sa difficult\u00e9. Pour \u00eatre honn\u00eate, je n\u2019ai jamais jou\u00e9 une pi\u00e8ce aussi difficile, en 38 ans ! La dur\u00e9e n\u2019est pas la seule en cause. Bien s\u00fbr, elle affecte la concentration des interpr\u00e8tes. Nous avons d\u00fb ajouter des rep\u00e8res temporels sur la partition, pour indiquer les 2h puis 3h de musique. Mais la pi\u00e8ce elle-m\u00eame est d\u2019une complexit\u00e9 rythmique d\u00e9concertante. Pendant plusieurs mesures, les trois musiciens ne partage jamais le m\u00eame rythme, et la premi\u00e8re note en commun n\u2019appara\u00eet qu’au bout de huit mesures ! Juste le temps de v\u00e9rifier qu\u2019on est toujours au tempo, et de repartir\u2026<\/span><\/p>\n\u00c0 ces micro-diff\u00e9rences rythmiques s\u2019ajoute, paradoxalement, une certaine forme de langueur, ou de longueur, qui cr\u00e9\u00e9 une impression de s\u00e9r\u00e9nit\u00e9. Certaines cellules sont r\u00e9p\u00e9t\u00e9es 3, 4 fois, \u00e0 l\u2019infini, et de cette r\u00e9p\u00e9tition na\u00eet comme une transe. La nuance pianissimo de la pi\u00e8ce y contribue fortement. Morton Feldman \u00e9crit ppp<\/em> ; puis apr\u00e8s 3h de musique, pppp<\/em>, comme pour nous rappeler que la r\u00e9sonnance du son doit rester tr\u00e8s intime. Elle invite le spectateur \u00e0 l\u2019introspection, \u00e0 la m\u00e9ditation, ou simplement au l\u00e2cher-prise.<\/span><\/p>\nPour nous, interpr\u00e8tes, elle nous force \u00e0 rester \u00e0 la fois tr\u00e8s concentr\u00e9s sur nos propres sensations, et tr\u00e8s connect\u00e9s aux autres. Nous puisons dans les \u00e9nergies des uns des autres. Si cette performance est tr\u00e8s physique, je ne veux pas laisser transpara\u00eetre de douleur ou de malaise, je pr\u00e9f\u00e8re d\u2019ailleurs jouer debout. Je voudrais arriver \u00e0 transmettre cette s\u00e9r\u00e9nit\u00e9, cette paix, pour offrir aux spectateurs cette exp\u00e9rience de la beaut\u00e9. La Bourse du commerce est un endroit parfait pour cela !<\/span><\/p>\n![\"\"](\"http:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/04\/domage-bdc-mars-2020-scaled.jpg\")
<\/p>\n
Photos : Emmanuelle Oph\u00e8le \u00a9 Franck Ferville \/ La Rotonde \u00a9 Bourse du commerce<\/p>\n","protected":false},"excerpt":{"rendered":"
Dans le cadre de l\u2019exposition \u00ab Corps et \u00e2mes \u00bb pr\u00e9sent\u00e9e \u00e0 la Bourse du Commerce, trois solistes y interpr\u00e8teront le 15 avril l\u2019une des \u0153uvres majeures du compositeur Morton Feldman, \u00e9crite en hommage \u00e0 son ami, le peintre am\u00e9ricain Philip Guston. D\u2019une dur\u00e9e de quatre heures, cette pi\u00e8ce repr\u00e9sente un v\u00e9ritable d\u00e9fi pour les musiciens, comme l\u2019explique la fl\u00fbtiste Emmanuelle Oph\u00e8le.<\/p>\n","protected":false},"author":129,"featured_media":28866,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-28794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-for-philip-guston"],"acf":[],"yoast_head":"\n
Emmanuelle Oph\u00e8le : "For Philip Guston". - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2025\/04\/emmanuelle-ophele-for-philip-guston\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emmanuelle Oph\u00e8le : "For Philip Guston". - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Dans le cadre de l\u2019exposition \u00ab Corps et \u00e2mes \u00bb pr\u00e9sent\u00e9e \u00e0 la Bourse du Commerce, trois solistes y interpr\u00e8teront le 15 avril l\u2019une des \u0153uvres majeures du compositeur Morton Feldman, \u00e9crite en hommage \u00e0 son ami, le peintre am\u00e9ricain Philip Guston. 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