{"id":26237,"date":"2024-02-08T16:22:31","date_gmt":"2024-02-08T15:22:31","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=26237"},"modified":"2024-02-08T16:58:56","modified_gmt":"2024-02-08T15:58:56","slug":"aile-du-songe-de-kaija-saariaho","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/02\/aile-du-songe-de-kaija-saariaho\/","title":{"rendered":"\u00ab\u00a0Aile du songe\u00a0\u00bb de Kaija Saariaho."},"content":{"rendered":"

\"\"<\/p>\n

L<\/span>e <\/span>15 f\u00e9vrier, \u00e0 la Philharmonie de Paris<\/a>, Sophie Cherrier sera la soliste d’<\/span>Aile du songe<\/em> de Kaija Saariaho, sous la direction de la propre fille de la compositrice. Une \u0153uvre entre ciel et terre (comme ses deux parties, A\u00e9rienne<\/em> et Terrestre,<\/em> le sugg\u00e8rent) et dans laquelle,<\/span> tel un oiseau, la fl\u00fbte prend son envol. \u00a0<\/span><\/b><\/span><\/p>\n

Je crois que Kaija Saariaho aimait beaucoup la fl\u00fbte et son univers \u2014 en t\u00e9moignent cette pi\u00e8ce, <\/span>Aile du songe<\/em> pour fl\u00fbte et orchestre\u00b9, et <\/span>Laconisme de l\u2019aile<\/em>, toutes deux inspir\u00e9es d\u2019un m\u00eame po\u00e8me de Saint John Perse, ou encore <\/span>C\u00e9leste, Dolce Tormento<\/em> et bien d\u2019autres. Elle aimait la fl\u00fbte, oui, mais la fl\u00fbte enrichie de diff\u00e9rentes techniques pour plus de couleurs, de r\u00e9sonances, et pour cr\u00e9er une impression de polyphonie.<\/span><\/p>\n

Dans L\u2019Aile du songe<\/em>, le travail du souffle, du vibrato, de la voix nous pousse tr\u00e8s loin dans l\u2019utilisation de l\u2019instrument et c\u2019est assez jouissif. Dans la deuxi\u00e8me partie de la pi\u00e8ce, par exemple, Kaija nous demande de dire, de chanter ou de murmurer, des sortes d\u2019onomatop\u00e9es, comme des mots d\u2019un langage qu\u2019elle a invent\u00e9. Kaija disait souvent : \u00ab Ne collez pas trop au texte ! \u00bb. Personnellement, je comprends cette injonction plus comme une libert\u00e9 qu\u2019elle nous donne de faire des choix, mais pour servir au mieux son langage. Par exemple, s\u2019agissant des onomatop\u00e9es, il m\u2019arrive de les adapter pour en renforcer les effets.<\/span><\/p>\n

\"\"<\/p>\n

L\u2019Aile du songe<\/em> a \u00e9t\u00e9 compos\u00e9e en deux temps, et ses deux parties, \u00ab A\u00e9rienne \u00bb (en trois mouvements) et <\/span>\u00ab Terrestre \u00bb (en deux mouvements), peuvent \u00eatre jou\u00e9es ind\u00e9pendamment l\u2019une de l\u2019autre. Cependant, \u00e0 l\u2019\u00e9coute de la pi\u00e8ce dans son int\u00e9gralit\u00e9, on peut imaginer une sorte de jeu de pistes : certaines formules r\u00e9currentes jalonnent la pi\u00e8ce, \u00e0 l\u2019instar des glissandi, que l\u2019on retrouve du d\u00e9but \u00e0 la fin, ou de cette petite cellule, \u00e0 la fin du tout premier mouvement d\u2019\u00ab A\u00e9rienne \u00bb, qui, tel un appel, interrompt le discours. Cette m\u00eame petite cellule donnera notamment naissance \u00e0 \u00ab Terrestre \u00bb. <\/span><\/p>\n

Toutes ces formules qui reviennent donnent le sentiment d\u2019un rituel, guid\u00e9 par des \u00ab oiseaux \u00bb tour \u00e0 tour douloureux, tourbillonnant, myst\u00e9rieux, a\u00e9riens et intenses. Ce sentiment de rituel est particuli\u00e8rement pr\u00e9sent dans \u00ab Terrestre \u00bb, qui s\u2019ouvre sur l\u2019image d\u2019un oiseau d\u2019un conte aborig\u00e8ne, en train d\u2019apprendre \u00e0 danser \u00e0 tout un village. Cet \u00ab oiseau dansant \u00bb est fou furieux ! La partie de fl\u00fbte est redoutable, rapide et \u00e9nergique. Accompagn\u00e9e de trois percussions rythmiques et fascinantes, elle entraine harpe et cordes dans une v\u00e9ritable tarentelle. Et puis tout se calme \u00e0 nouveau, avec \u00ab L\u2019Oiseau, un satellite infime \u00bb, dernier mouvement de \u00ab Terrestre \u00bb. La magie op\u00e8re dans un univers tout en finesse, et la toute fin s\u2019envole\u2026 vers l\u2019imaginaire.<\/span><\/p>\n

\u00b9dont nous donnons la version pour fl\u00fbte et orchestre de chambre, en cr\u00e9ation fran\u00e7aise, sous la direction de Aliisa, la fille de Kaija.<\/p>\n

Photos (de haut en bas) : Sophie Cherrier \u00a9 EIC \/ Kaija Saariaho \u00a9 Maarit Kytoharju, Wise Music<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 15 f\u00e9vrier, \u00e0 la Philharmonie de Paris, Sophie Cherrier sera la soliste d’ \u00ab\u00a0Aile du songe\u00a0\u00bb de Kaija Saariaho, sous la direction de la propre fille de la compositrice. Une \u0153uvre partag\u00e9e entre ciel et terre (comme ses deux parties, \u00ab\u00a0A\u00e9rienne\u00a0\u00bb et \u00ab\u00a0Terrestre\u00a0\u00bb, le sugg\u00e8rent) et dans laquelle\u00a0la fl\u00fbte, tel un oiseau, prend son envol. \u00a0<\/p>\n","protected":false},"author":195,"featured_media":26239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[79,456,81],"class_list":["post-26237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-flute","tag-kaija-saariaho","tag-sophie-cherrier","concert-carte-blanche-a-esa-pekka-salonen"],"acf":[],"yoast_head":"\n"Aile du songe" de Kaija Saariaho. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/02\/aile-du-songe-de-kaija-saariaho\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Aile du songe" de Kaija Saariaho. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 15 f\u00e9vrier, \u00e0 la Philharmonie de Paris, Sophie Cherrier sera la soliste d' "Aile du songe" de Kaija Saariaho, sous la direction de la propre fille de la compositrice. 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