{"id":26011,"date":"2024-01-03T10:30:34","date_gmt":"2024-01-03T09:30:34","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=26011"},"modified":"2024-01-03T10:30:34","modified_gmt":"2024-01-03T09:30:34","slug":"keter-de-sarah-nemtsov","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/01\/keter-de-sarah-nemtsov\/","title":{"rendered":"\u00ab Keter \u00bb de Sarah Nemtsov."},"content":{"rendered":"

\"\"<\/span><\/strong><\/p>\n

L<\/span>a compositrice allemande Sarah Nemtsov revient sur l\u2019origine, kabbalistique, de Keter<\/em>, pour ensemble de chambre et \u00e9lectronique (2020) qui sera jou\u00e9 par les solistes de l’EIC en cr\u00e9ation fran\u00e7aise le 13 janvier \u00e0 l\u2019Ircam. \u00a0\u00a0<\/strong><\/span><\/p>\n

J’ai re\u00e7u la commande de Keter<\/em> en mars 2020, durant le premier confinement : l’appel de Matthias Pintscher (directeur musical de l\u2019EIC de septembre 2013 \u00e0 \u00a0juin 2023) fut aussi inattendu que bienvenu en cette p\u00e9riode difficile et j’ai travaill\u00e9 intens\u00e9ment sur la pi\u00e8ce. Keter<\/em> est un mot h\u00e9breu que l\u2019on peut traduire par \u00ab couronne \u00bb mais il d\u00e9signe \u00e9galement la plus haute des Sephiroth de l’Arbre de Vie kabbalistique (photo ci-dessous), situ\u00e9e juste au-dessous de l’Ein Sof (l’Inconnu, l’\u00c9ternel, le Divin). Le Zohar, livre le plus achev\u00e9 de la Kabbale, appelle cette Sephirah \u00ab la plus cach\u00e9e de toutes les choses cach\u00e9es \u00bb. C’est l’\u00e9poque o\u00f9 je commen\u00e7ais \u00e0 m’int\u00e9resser davantage au mysticisme juif. J’ai \u00e9t\u00e9 fascin\u00e9e par la modernit\u00e9 de certains concepts kabbalistiques, ils ont quelque chose d’ancien, d’archa\u00efque et en m\u00eame temps de tr\u00e8s moderne, ainsi que de tr\u00e8s humain et abstrait. Cela a r\u00e9sonn\u00e9 avec mes sons int\u00e9rieurs et les a en quelque sorte r\u00e9veill\u00e9s.<\/span>
\nEn composant cette nouvelle pi\u00e8ce pour quintette amplifi\u00e9 (clarinette basse, alto, violoncelle et harpe d\u00e9saccord\u00e9s, piano pr\u00e9par\u00e9 et \u00e9lectronique), j’avais en t\u00eate un monde sonore sombre mais \u00e9maill\u00e9 de nombreuses couleurs et nuances. Je voulais un son terreux, avec de la poussi\u00e8re et de la salet\u00e9, de la boue, des pierres, une mati\u00e8re organique d’un autre sol que celui sur lequel on vit. J’ai abord\u00e9 cette vision \u00e0 travers diff\u00e9rents param\u00e8tres, en construisant d’abord un vaste champ d’accords microtonaux au sein duquel la composition navigue \u00e0 diff\u00e9rentes vitesses. En ce qui concerne les textures, j’ai souvent combin\u00e9 des sons et des techniques de jeu \u00e9tendues, m\u00e9langeant, gla\u00e7ant ou brouillant les mati\u00e8res pour cr\u00e9er des perspectives. Parfois le son \u00ab durcit \u00bb comme la roche s\u00e9dimentaire en g\u00e9ologie et les couches deviennent plus distinctes.<\/span><\/p>\n


\n\"\"
\n<\/span><\/p>\n

L’\u00e9lectronique, en tant qu’expression du XXI\u1d49 si\u00e8cle, joue un r\u00f4le important dans plusieurs de mes travaux des dix derni\u00e8res ann\u00e9es. Je m’int\u00e9resse aux mondes sonores hybrides. Dans Keter,<\/em> l’\u00e9lectronique agit sur le timbre instrumental (modulation en anneau et autres effets de couleur contr\u00f4l\u00e9s via des p\u00e9dales actionn\u00e9es par les instrumentistes) et contribue \u00e0 le rendre hybride. L\u2019hybride est une m\u00e9taphore, non seulement du monde dans lequel nous vivons (num\u00e9rique, virtualit\u00e9 versus r\u00e9alit\u00e9, etc.) mais aussi de notre \u00eatre profond (int\u00e9rieur\/ext\u00e9rieur, actes\/\u00e2me). Dans d’autres pi\u00e8ces, l’\u00e9lectronique peut avoir un r\u00f4le diff\u00e9rent, de commentaire ou de voix suppl\u00e9mentaire, parfois d\u00e9cal\u00e9e, parfois d\u00e9rangeante voire agressive, parfois \u00e9trangement belle. Pour autant, je souhaite toujours qu’elle soit plus que des paillettes, qu’elle soit profond\u00e9ment int\u00e9gr\u00e9e au noyau de la pi\u00e8ce. <\/span>
\nPour moi, le son reste toujours le plus important, au-del\u00e0 des sources litt\u00e9raire, philosophique ou sociopolitique qui ont pu inspirer ma musique. Je tiens toujours \u00e0 ce que la composition puisse se suffire \u00e0 elle-m\u00eame : le son seul, la musique pure, m\u00eame s’il y a d’autres sujets flottants autour. Les arts peuvent nous offrir un espace que nous ne trouvons nulle part ailleurs dans notre vie quotidienne, une fissure dans le temps r\u00e9v\u00e9lant un espace ouvert qui nous permet d\u2019acc\u00e9der \u00e0 des couches plus profondes de l\u2019\u00e9motion, inexplicables, o\u00f9 l’on se sent vivant et connect\u00e9. C’est l\u00e0 ma qu\u00eate singuli\u00e8re.<\/span><\/p>\n

\u00a0<\/em>Propos recueillis par Mich\u00e8le Tosi<\/em><\/p>\n

Photo \u00a9<\/span> Camille Blake<\/p>\n","protected":false},"excerpt":{"rendered":"

La compositrice allemande Sarah Nemtsov revient sur l\u2019origine, kabbalistique, de \u00ab\u00a0Keter\u00a0\u00bb, pour ensemble de chambre et \u00e9lectronique (2020) qui sera jou\u00e9 par les solistes de l’EIC en cr\u00e9ation fran\u00e7aise le 13 janvier \u00e0 l\u2019Ircam. <\/p>\n","protected":false},"author":216,"featured_media":26012,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[60],"class_list":["post-26011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-creation","concert-chambre-dechos"],"acf":[],"yoast_head":"\n\u00ab Keter \u00bb de Sarah Nemtsov. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/01\/keter-de-sarah-nemtsov\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Keter \u00bb de Sarah Nemtsov. - 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