{"id":22783,"date":"2022-06-17T10:37:03","date_gmt":"2022-06-17T08:37:03","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=22783"},"modified":"2022-06-22T12:39:43","modified_gmt":"2022-06-22T10:39:43","slug":"par-jupiter","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2022\/06\/par-jupiter\/","title":{"rendered":"Par Jupiter !"},"content":{"rendered":"

 <\/p>\n

\"\"<\/span><\/span><\/p>\n

L<\/span>e 23 juin \u00e0 la Philharmonie de Paris<\/a>, Sophie Cherrier interpr\u00e8tera Jupiter<\/em> de Philippe Manoury. Une \u0153uvre pour fl\u00fbte et \u00e9lectronique en temps r\u00e9el de 1987, premi\u00e8re des quatre pi\u00e8ces du cycle Sonus ex Machina<\/em> explorant les interactions entre instrument et syst\u00e8me de traitement en temps r\u00e9el.<\/span><\/p>\n

\u00c9voquer Jupiter<\/em> de Philippe Manoury, c\u2019est in\u00e9vitablement penser aux deux personnes qui ont particip\u00e9 \u00e0 son \u00e9laboration. Lawrence Beauregard, d\u2019abord, fl\u00fbtiste \u00e0 mes c\u00f4t\u00e9s \u00e0 l\u2019Ensemble intercontemporain et malheureusement parti bien trop t\u00f4t\u00a0: il \u00e9tait en \u00e9troite collaboration avec Philippe pour cette fabuleuse premi\u00e8re pi\u00e8ce pour fl\u00fbte en temps r\u00e9el. Miller Puckette, encore \u00e9tudiant au MIT, reprendra la collaboration avec Philippe pour finaliser la pi\u00e8ce, cr\u00e9\u00e9e par Pierre-Andr\u00e9 Valade en 1987.<\/span>
\nJusque-l\u00e0, les pi\u00e8ces avec \u00e9lectronique \u00e9taient toujours li\u00e9es au d\u00e9filement d\u2019une bande magn\u00e9tique que l\u2019interpr\u00e8te devait suivre, ce qui laissait bien peu de souplesse \u00e0 l\u2019interpr\u00e9tation. Jupiter<\/em> est donc une \u0153uvre \u00ab\u00a0r\u00e9volutionnaire\u00a0\u00bb. L\u2019interpr\u00e8te peut enfin dialoguer avec l\u2019\u00e9lectronique, presque comme avec un partenaire de musique de chambre. D\u2019une certaine mani\u00e8re, l\u2019\u00e9lectronique suit l\u2019interpr\u00e8te, amplifie son jeu et y ajoute des effets.
\n<\/span><\/p>\n

\"\"
\nDans les ann\u00e9es qui ont suivi la cr\u00e9ation de Jupiter<\/em>, le syst\u00e8me \u00e9tait, disons, assez lourd. Il fallait jouer sur la \u00ab\u00a0fl\u00fbte midi\u00a0\u00bb, une fl\u00fbte \u00e9quip\u00e9e de capteurs sur chaque clef que j\u2019appelais \u00ab\u00a0fl\u00fbte orthop\u00e9dique\u00a0\u00bb\u00a0! Elle \u00e9tait reli\u00e9e par un c\u00e2blage important \u00e0 une interface qui reconnaissait les notes et transmettait les informations \u00e0 la machine (4X), tr\u00e8s encombrante. Il y avait aussi un \u00e9cran qui indiquait l\u2019\u00e9v\u00e9nement d\u00e9clench\u00e9 \u00e0 chaque instant, et l\u2019interpr\u00e8te devait, si n\u00e9cessaire, actionner une p\u00e9dale pour resynchroniser.<\/span>
\nOn n\u2019\u00e9tait jamais \u00e0 l\u2019abri d\u2019une panne. Lors d\u2019un concert \u00e0 Berlin, un capteur s\u2019est l\u00e9g\u00e8rement d\u00e9cal\u00e9 alors que j\u2019\u00e9tais d\u00e9j\u00e0 sur sc\u00e8ne. Impossible de d\u00e9marrer\u00a0: il a fallu tout rev\u00e9rifier, sous les yeux du public, avant de pouvoir commencer\u2026 assez stressant\u00a0!<\/span>
\nAujourd\u2019hui, il est possible de jouer Jupiter <\/em>sur son propre instrument. Un simple ordinateur d\u00e9tecte les hauteurs jou\u00e9es et d\u00e9clenche les \u00e9v\u00e9nements et effets \u00e9crits par Philippe Manoury (photo ci-dessus). Plus de c\u00e2ble, plus d\u2019\u00e9cran et un v\u00e9ritable dialogue\u2026 que du bonheur !<\/span><\/p>\n

 <\/p>\n

Propos recueillis par J\u00e9r\u00e9mie Szpirglas<\/p>\n

Photos \u00a9 EIC<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 23 juin \u00e0 la Philharmonie de Paris, Sophie Cherrier interpr\u00e8tera \u00ab\u00a0Jupiter\u00a0\u00bb de Philippe Manoury. Une \u0153uvre pour fl\u00fbte et \u00e9lectronique en temps r\u00e9el de 1987, premi\u00e8re des quatre pi\u00e8ces du cycle \u00ab\u00a0Sonus ex Machina\u00a0\u00bb explorant les interactions entre instrument et syst\u00e8me de traitement en temps r\u00e9el.<\/p>\n","protected":false},"author":195,"featured_media":22935,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[79,9,33,81],"class_list":["post-22783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-flute","tag-ircam","tag-philippe-manoury","tag-sophie-cherrier","concert-sonus-ex-machina"],"acf":[],"yoast_head":"\nPar Jupiter ! - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2022\/06\/par-jupiter\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Par Jupiter ! - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 23 juin \u00e0 la Philharmonie de Paris, Sophie Cherrier interpr\u00e8tera "Jupiter" de Philippe Manoury. 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