{"id":19417,"date":"2020-09-08T13:10:32","date_gmt":"2020-09-08T11:10:32","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=19417"},"modified":"2020-09-08T13:10:32","modified_gmt":"2020-09-08T11:10:32","slug":"toshio-hosokawa-the-flood","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2020\/09\/toshio-hosokawa-the-flood\/","title":{"rendered":"Toshio Hosokawa : \u00ab\u00a0The Flood\u00a0\u00bb"},"content":{"rendered":"

\"\"<\/p>\n

R<\/span>evenir \u00e0 l\u2019essentiel\u00a0: voil\u00e0 le th\u00e8me de notre concert du 16 septembre<\/a>, qui ouvre cette nouvelle saison si particuli\u00e8re \u00e0 la Philharmonie de Paris. Parmi les essentiels, la cr\u00e9ation figure bien entendu en bonne place et c\u2019est une commande pass\u00e9e au japonais Toshio Hosokawa, The Flood<\/em>,\u00a0que l\u2019Ensemble intercontemporain cr\u00e9era pour l\u2019occasion. \u00a0<\/span><\/strong><\/span><\/p>\n

 <\/p>\n

N\u00e9 en 1955 \u00e0 Hiroshima, Toshio Hosokawa se forme entre Tokyo, Berlin et Fribourg-en-Brisgau, o\u00f9 il a notamment pour professeur le compositeur suisse Klaus Huber. Ce dernier l\u2019invite vivement \u00e0 approfondir sa connaissance de la musique japonaise (musique de cour, gagaku, n\u00f4, etc.) pour y puiser son inspiration, autant que dans la tradition europ\u00e9enne. Suivant le sillage de son a\u00een\u00e9 Toru Takemitsu, Hosokawa d\u00e9veloppe ainsi une \u0153uvre dans une riche dialectique entre occident et orient.\u00a0Si les probl\u00e9matiques arch\u00e9typales de la cr\u00e9ation europ\u00e9enne (l\u2019\u00e9criture du temps, l\u2019attention extr\u00eame aux textures\u2026) n\u2019ont pas de secret pour lui, c\u2019est toujours dans le cadre d\u2019une r\u00e9flexion tr\u00e8s fortement emprunte de l\u2019esth\u00e9tique japonaise qu\u2019il les creuse. Prenant souvent la forme d\u2019un lent voyage int\u00e9rieur, cultivant une relation \u00e9troite \u00e0 la nature, ses \u0153uvres se vivent comme une forme de m\u00e9ditation suspendue, d\u00e9gageant une v\u00e9ritable aura spirituelle.<\/span><\/p>\n

Le d\u00e9fi que repr\u00e9sente cette commande de l\u2019Ensemble intercontemporain, destin\u00e9e \u00e0 cl\u00f4turer le cycle Genesis<\/em>, lui va donc comme un gant. Initi\u00e9e en 2016 \u00e0 l\u2019occasion des 40 ans de l\u2019Ensemble, cette s\u00e9rie consistait \u00e0 l\u2019origine en sept commandes, correspondant respectivement aux sept journ\u00e9es de la Cr\u00e9ation biblique. Une \u00ab\u00a0m\u00e9ta-cr\u00e9ation\u00a0\u00bb, en somme, qui permettait \u00e0 chacun des sept compositeurs sollicit\u00e9s de donner leur vision \u00e0 la fois de ce texte fondateur et du processus cr\u00e9atif en lui-m\u00eame \u2014 cr\u00e9ation sui generis<\/em>, renouvellement ou extrapolation de mat\u00e9riau d\u00e9j\u00e0 existant, table rase\u2026\u00a0<\/span><\/p>\n

Dans The Flood,\u00a0<\/em>comme son titre l\u2019indique, Toshio Hosokawa prolonge le r\u00e9cit de la Cr\u00e9ation pour s\u2019int\u00e9resser au D\u00e9luge\u00a0: celui, d\u00e9crit aux chapitres 6 \u00e0 8 de la Gen\u00e8se<\/em>, que Dieu d\u00e9cha\u00eene sur les descendants d\u2019Adam et \u00c8ve dont il ne peut que constater la corruption. Seuls seront \u00e9pargn\u00e9s No\u00e9, sa famille et les animaux embarqu\u00e9s dans son arche.<\/span><\/p>\n

\"\"<\/p>\n

Pour un japonais tel que Toshio Hosokawa, le d\u00e9luge est un sujet familier. \u00ab\u00a0Il y a eu bien s\u00fbr le terrible tsunami de 2011, de dimension biblique, \u00e9crit-il, mais ce n\u2019est pas la seule raison. Notre pays est souvent d\u00e9vast\u00e9 par des typhons, des pluies diluviennes et des inondations. Les d\u00e9luges, lorsqu\u2019ils atteignent des proportions dramatiques, nous font prendre conscience de la puissance de la nature et suscitent en nous un sentiment de peur et m\u00eame un esprit de r\u00e9v\u00e9rence.\u00a0\u00bb\u00a0The Flood\u00a0<\/em>se pr\u00e9sente comme une succession de\u00ab\u00a0vagues sonores cr\u00e9\u00e9es par des crescendos-decrescendos<\/em>. La spirale sonore qui na\u00eet ainsi provoque en nous un sentiment de peur et en m\u00eame temps nous laisse purifi\u00e9s.\u00a0\u00bb<\/span><\/p>\n

Photo\u00a0\u00a9 Bernd WeiBbrod\/dpa\/Alamy Live News<\/p>\n","protected":false},"excerpt":{"rendered":"

Revenir \u00e0 l\u2019essentiel\u00a0: voil\u00e0 le th\u00e8me de notre concert du 16 septembre, qui ouvre cette nouvelle saison si particuli\u00e8re \u00e0 la Philharmonie de Paris. Parmi les essentiels, la cr\u00e9ation figure bien entendu en bonne place et c\u2019est une commande pass\u00e9e au japonais Toshio Hosokawa, \u00ab\u00a0The Flood\u00a0\u00bb,\u00a0que l\u2019Ensemble intercontemporain cr\u00e9era pour l\u2019occasion. \u00a0<\/p>\n","protected":false},"author":5,"featured_media":19418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-19417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-revenir-a-nous"],"acf":[],"yoast_head":"\nToshio Hosokawa : "The Flood" - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2020\/09\/toshio-hosokawa-the-flood\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Toshio Hosokawa : "The Flood" - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Revenir \u00e0 l\u2019essentiel\u00a0: voil\u00e0 le th\u00e8me de notre concert du 16 septembre, qui ouvre cette nouvelle saison si particuli\u00e8re \u00e0 la Philharmonie de Paris. 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