{"id":1508,"date":"2009-01-15T10:17:52","date_gmt":"2009-01-15T08:17:52","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=1508"},"modified":"2009-01-15T10:17:52","modified_gmt":"2009-01-15T08:17:52","slug":"1508-2","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2009\/01\/1508-2\/","title":{"rendered":"Le projet Pollini &#8211; entretien"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1509\" title=\"Pollini\" src=\"http:\/\/www.ensembleinter.com\/accents-online\/wp-content\/uploads\/2010\/05\/Pollini-300x113.jpg\" alt=\"Pollini\" width=\"300\" height=\"113\" \/><br \/>\nEn 1995 voyait le jour \u00e0 Salzbourg le premier \u00ab\u00a0Progetto Pollini\u00a0\u00bb qui s\u2019est depuis poursuivi \u00e0 New York, Tokyo, Rome\u2026 Quelles r\u00e9flexions ont \u00e9t\u00e9 \u00e0 l\u2019origine de ces s\u00e9ries de concerts\u00a0?<br \/>\nHans Landesmann, qui s\u2019occupait alors de l\u2019organisation des concerts, eut l\u2019id\u00e9e d\u2019organiser de petits cycles un peu particuliers. Les \u0153uvres de musique moderne et de musique ancienne voisinaient avec le r\u00e9pertoire classique, ce qui m\u2019a donn\u00e9 l\u2019occasion de remonter dans le pass\u00e9, du XVIII<sup>e<\/sup> si\u00e8cle jusqu\u2019\u00e0 Guillaume de Machaut. Le projet \u00e9tait de donner au public une vision plus large du r\u00e9pertoire musical. Fr\u00e9quemment, les concerts r\u00e9unissent des \u0153uvres des XVIII<sup>e<\/sup> et XIX<sup>e<\/sup> si\u00e8cles, voire de la premi\u00e8re moiti\u00e9 du XX<sup>e<\/sup> si\u00e8cle, les p\u00e9riodes pr\u00e9c\u00e9dentes demeurant relativement ignor\u00e9es du grand public. Celui-ci pourrait b\u00e9n\u00e9ficier de nouveaux horizons s\u2019il connaissait ces \u0153uvres ant\u00e9rieures \u00e0 l\u2019\u00e9tablissement de la musique tonale. Quant \u00e0 la seconde moiti\u00e9 du XX<sup>e<\/sup> si\u00e8cle, elle a vu surgir de grands g\u00e9nies qui sont loin d\u2019\u00eatre connus d\u2019un vaste public. C\u2019est dans ce cadre que nous avons essay\u00e9 de penser et d\u2019agir de mani\u00e8re diff\u00e9rente.<br \/>\nCes \u00ab\u00a0Perspectives\u00a0\u00bb parisiennes contribuent ainsi \u00e0 analyser l\u2019histoire musicale sous l\u2019angle de la modernit\u00e9\u2026<br \/>\nJe voudrais insister sur la n\u00e9cessit\u00e9 de jouer la musique moderne. Rappelons-nous ce qu\u2019a dit Kandinski au d\u00e9but du XX<sup>e<\/sup> si\u00e8cle lorsqu\u2019il s\u2019est approch\u00e9 d\u2019un mode d\u2019expression nouveau\u00a0: l\u2019art est contenu et forme. Le contenu, c\u2019est ce que le compositeur veut exprimer. La forme, la surface de l\u2019\u0153uvre d\u2019art par laquelle il peut communiquer ce qu\u2019il a en lui. En cherchant, le peintre ou le compositeur trouve certaines couleurs, certaines notes, certaines lignes. Il a un rapport de n\u00e9cessit\u00e9 avec le langage qu\u2019il utilise. Les conservateurs demandent aux compositeurs d\u2019\u00e9crire de mani\u00e8re plus simple pour qu\u2019ils puissent les comprendre\u00a0; or, ceci est impossible car les artistes doivent exprimer autre chose que ce qu\u2019on leur demande de dire. Ils ne peuvent pas changer la forme de leur \u0153uvre, ils sont li\u00e9s au langage par un rapport de n\u00e9cessit\u00e9 absolu. Le public doit se rapprocher des \u0153uvres \u00e0 mesure qu\u2019il les -fr\u00e9quente. Cette exigence est un enseignement de l\u2019histoire\u00a0: Bach, Mozart, Beethoven, Wagner et d\u2019autres ont pu rencontrer l\u2019incompr\u00e9hension pr\u00e9cis\u00e9ment en raison de la complexit\u00e9, de la nouveaut\u00e9 de leur art. Je continue \u00e0 jouer l\u2019Opus 11, l\u2019Opus 19 ou l\u2019Opus 23 de Sch\u00f6nberg. Ces musiques remarquables, compos\u00e9es \u00e0 un moment historique donn\u00e9, deviendront populaires\u2026<br \/>\nDirig\u00e9 par Pierre Boulez, le programme du 31\u00a0mars 2009 est centr\u00e9 sur Webern et la forme aphoristique\u2026<br \/>\nEn jouant plusieurs \u0153uvres de Webern, nous essayons en effet de mieux faire comprendre au public la po\u00e9tique du compositeur. L\u2019extr\u00eame bri\u00e8vet\u00e9 des pi\u00e8ces de cette p\u00e9riode rend difficile la transmission de la po\u00e9sie de la composition. Les <em>Trois Petites Pi\u00e8ces<\/em> op.\u00a011, le <em>Concerto<\/em> op.\u00a024, les <em>Lieder<\/em> op.\u00a03, 4 et 12, les <em>Variations<\/em> op.\u00a027, la <em>Symphonie<\/em> op.\u00a021 et les <em>Cinq Pi\u00e8ces<\/em> op.\u00a010 font suite aux <em>Pi\u00e8ces<\/em> op.\u00a019 de Sch\u00f6nberg et aux <em>Quatre Pi\u00e8ces<\/em> op.\u00a05 de Berg. Ce programme est une r\u00e9flexion sur la forme aphoristique. Le pr\u00e9c\u00e9dent dans l\u2019histoire musicale est fourni par la dixi\u00e8me des <em>Bagatelles<\/em> op.\u00a0119 de Beethoven, peut-\u00eatre le morceau le plus court jamais compos\u00e9. Certains pr\u00e9ludes de Chopin veulent \u00e9galement tout dire dans un nombre de mesures fort -limit\u00e9\u2026<br \/>\n<em> <\/em><br \/>\n<em>Propos recueillis par Pascal Huynh<br \/>\nExtrait d\u2019Accents n\u00b0 37<\/em><em> &#8211; janvier-mars 2009<\/em><br \/>\n<em>Photo \u00a9 Nicolas Havette<\/em><br \/>\n<em> <\/em><br \/>\nL\u2019int\u00e9gralit\u00e9 de cet entretien figure dans <em>Pollini Perspectives<\/em>, en vente \u00e0 la Salle Pleyel \u00e0 partir du 5\u00a0janvier 2009. \u00a9 Cit\u00e9 de la musique<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1995 voyait le jour \u00e0 Salzbourg le premier \u00ab\u00a0Progetto Pollini\u00a0\u00bb qui s\u2019est depuis poursuivi \u00e0 New York, Tokyo, Rome\u2026 Quelles r\u00e9flexions ont \u00e9t\u00e9 \u00e0 l\u2019origine de ces s\u00e9ries de concerts\u00a0? Hans Landesmann, qui s\u2019occupait alors de l\u2019organisation des concerts, eut l\u2019id\u00e9e d\u2019organiser de petits cycles un peu particuliers. Les \u0153uvres de musique moderne et [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":3524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[391,397],"class_list":["post-1508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-accents-n37","tag-mauricio-pollini"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le projet Pollini - entretien - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2009\/01\/1508-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le projet Pollini - entretien - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"En 1995 voyait le jour \u00e0 Salzbourg le premier \u00ab\u00a0Progetto Pollini\u00a0\u00bb qui s\u2019est depuis poursuivi \u00e0 New York, Tokyo, Rome\u2026 Quelles r\u00e9flexions ont \u00e9t\u00e9 \u00e0 l\u2019origine de ces s\u00e9ries de concerts\u00a0? Hans Landesmann, qui s\u2019occupait alors de l\u2019organisation des concerts, eut l\u2019id\u00e9e d\u2019organiser de petits cycles un peu particuliers. Les \u0153uvres de musique moderne et [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Ensemble intercontemporain\" \/>\n<meta property=\"article:published_time\" content=\"2009-01-15T08:17:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"464\" \/>\n\t<meta property=\"og:image:height\" content=\"267\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pascal Huynh\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pascal Huynh\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/\"},\"author\":{\"name\":\"Pascal Huynh\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/cd1c6fe8d54759c6a8ae49dfa0f3252e\"},\"headline\":\"Le projet Pollini &#8211; entretien\",\"datePublished\":\"2009-01-15T08:17:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/\"},\"wordCount\":650,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2010\\\/06\\\/pollini37.jpg\",\"keywords\":[\"Accents n\u00b037\",\"mauricio pollini\"],\"articleSection\":[\"Entretien\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/\",\"name\":\"Le projet Pollini - entretien - Ensemble intercontemporain\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2010\\\/06\\\/pollini37.jpg\",\"datePublished\":\"2009-01-15T08:17:52+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/cd1c6fe8d54759c6a8ae49dfa0f3252e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2010\\\/06\\\/pollini37.jpg\",\"contentUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2010\\\/06\\\/pollini37.jpg\",\"width\":464,\"height\":267},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/2009\\\/01\\\/1508-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le projet Pollini &#8211; entretien\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/\",\"name\":\"Ensemble intercontemporain\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/cd1c6fe8d54759c6a8ae49dfa0f3252e\",\"name\":\"Pascal Huynh\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g\",\"caption\":\"Pascal Huynh\"},\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/author\\\/pascal-huynh\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le projet Pollini - entretien - Ensemble intercontemporain","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ensembleintercontemporain.com\/fr\/2009\/01\/1508-2\/","og_locale":"fr_FR","og_type":"article","og_title":"Le projet Pollini - entretien - Ensemble intercontemporain","og_description":"En 1995 voyait le jour \u00e0 Salzbourg le premier \u00ab\u00a0Progetto Pollini\u00a0\u00bb qui s\u2019est depuis poursuivi \u00e0 New York, Tokyo, Rome\u2026 Quelles r\u00e9flexions ont \u00e9t\u00e9 \u00e0 l\u2019origine de ces s\u00e9ries de concerts\u00a0? Hans Landesmann, qui s\u2019occupait alors de l\u2019organisation des concerts, eut l\u2019id\u00e9e d\u2019organiser de petits cycles un peu particuliers. Les \u0153uvres de musique moderne et [&hellip;]","og_url":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/","og_site_name":"Ensemble intercontemporain","article_published_time":"2009-01-15T08:17:52+00:00","og_image":[{"width":464,"height":267,"url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg","type":"image\/jpeg"}],"author":"Pascal Huynh","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Pascal Huynh","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#article","isPartOf":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/"},"author":{"name":"Pascal Huynh","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/cd1c6fe8d54759c6a8ae49dfa0f3252e"},"headline":"Le projet Pollini &#8211; entretien","datePublished":"2009-01-15T08:17:52+00:00","mainEntityOfPage":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/"},"wordCount":650,"commentCount":0,"image":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg","keywords":["Accents n\u00b037","mauricio pollini"],"articleSection":["Entretien"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/","url":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/","name":"Le projet Pollini - entretien - Ensemble intercontemporain","isPartOf":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#primaryimage"},"image":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg","datePublished":"2009-01-15T08:17:52+00:00","author":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/cd1c6fe8d54759c6a8ae49dfa0f3252e"},"breadcrumb":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#primaryimage","url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg","contentUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/06\/pollini37.jpg","width":464,"height":267},{"@type":"BreadcrumbList","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/2009\/01\/1508-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.ensembleintercontemporain.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Le projet Pollini &#8211; entretien"}]},{"@type":"WebSite","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#website","url":"https:\/\/www.ensembleintercontemporain.com\/en\/","name":"Ensemble intercontemporain","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.ensembleintercontemporain.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/cd1c6fe8d54759c6a8ae49dfa0f3252e","name":"Pascal Huynh","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/89fa68f004430071b53a09c784001965f9b1e6b59902065ef0998bf0d3f4a99d?s=96&d=mm&r=g","caption":"Pascal Huynh"},"url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/pascal-huynh\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/posts\/1508\/"}],"collection":[{"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/users\/15\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/comments\/?post=1508"}],"version-history":[{"count":0,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/posts\/1508\/revisions\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/media\/3524\/"}],"wp:attachment":[{"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/media\/?parent=1508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/categories\/?post=1508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/fr\/wp-json\/wp\/v2\/tags\/?post=1508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}