{"id":11612,"date":"2018-11-08T10:30:24","date_gmt":"2018-11-08T08:30:24","guid":{"rendered":"http:\/\/www.accentsonline.fr\/?p=11612"},"modified":"2019-02-12T18:42:17","modified_gmt":"2019-02-12T17:42:17","slug":"demandez-le-programme","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2018\/11\/demandez-le-programme\/","title":{"rendered":"Demandez le programme !"},"content":{"rendered":"

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Michael Wendeberg pr\u00e9sente le programme empreint de myst\u00e8re et de spiritualit\u00e9 du concert Au-del\u00e0<\/em> du 16.11 \u00e0 la Philharmonie de Paris<\/a>. Le chef d\u2019orchestre et pianiste allemand retrouvera pour l\u2019occasion l\u2019EIC qu\u2019il a quitt\u00e9 en 2005 mais, cette fois, pour le diriger.<\/strong><\/span><\/p>\n

Je\u00a0l\u2019avoue d\u2019entr\u00e9e\u00a0: ce concert est pour moi tr\u00e8s sp\u00e9cial. Pour la premi\u00e8re fois depuis mon d\u00e9part de l\u2019Ensemble intercontemporain en 2005, je vais refaire de la musique avec mes anciens coll\u00e8gues\u00a0! Lorsque j\u2019ai d\u00e9missionn\u00e9 de mon poste de pianiste, je suis s\u00fbr qu\u2019il n\u2019\u00e9tait pas \u00e9vident pour beaucoup d\u2019entre eux de comprendre pourquoi je quittais cette institution merveilleuse. Et, m\u00eame si je suis parti pour me consacrer \u00e0 la direction, cela n\u2019a pas \u00e9t\u00e9 sans regret\u2026 Mon plaisir de revenir aujourd\u2019hui n\u2019en est que plus grand.<\/span>
\nSp\u00e9cial aussi, car le programme comprend notamment deux pi\u00e8ces dirig\u00e9es qui me touchent intimement toutes deux. D\u2019un c\u00f4t\u00e9, un des chefs-d\u2019\u0153uvre du r\u00e9pertoire fran\u00e7ais du XXe si\u00e8cle\u00a0:\u00a0Quatre Chants pour franchir le seuil<\/em>\u00a0de G\u00e9rard Grisey. On pourrait croire que mon passage \u00e0 l\u2019EIC m\u2019a familiaris\u00e9 avec l\u2019univers de ce compositeur et pourtant, non, pas tant que cela\u00a0: d\u2019abord, parce que je ne suis arriv\u00e9 \u00e0 Paris qu\u2019en 2000, donc deux ans apr\u00e8s sa disparition pr\u00e9matur\u00e9e.\u00a0Ensuite, parce qu\u2019il n\u2019a pas beaucoup \u00e9crit pour le piano. Je ne l\u2019ai donc que rarement jou\u00e9 au cours de mon s\u00e9jour parisien.<\/span><\/p>\n

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En revanche, j\u2019ai depuis eu l\u2019occasion de diriger \u00e0 plusieurs reprises sa musique, dont\u00a0Vortex Temporum<\/em>\u00a0et\u00a0Quatre Chants pour franchir le seuil<\/em> qui est sans doute l\u2019une des \u0153uvres du r\u00e9pertoire contemporain qui me prend le plus aux tripes. Grisey y \u00e9voque le seuil entre vie et mort avec une musique certes d\u2019une grande richesse, mais qui laisse en m\u00eame temps un large espace de libert\u00e9 aux pens\u00e9es et ressentis de l\u2019auditeur. En ce sens, c\u2019est une \u0153uvre rare et remarquable. Et je ne peux m\u2019emp\u00eacher de me demander pourquoi un compositeur de cinquante ans a \u00e9crit une pi\u00e8ce qui parle de la mort, alors qu\u2019il ne pouvait rien savoir de ce qui, h\u00e9las, l\u2019attendait.<\/span>
\n\u00c0 la mani\u00e8re des grands monuments symphoniques du XIXe\u00a0si\u00e8cle, ces\u00a0Quatre Chants pour franchir le seuil<\/em>\u00a0trouvent leur accomplissement formel dans le dernier mouvement, qui n\u2019est pas sans rappeler un autre des chefs-d\u2019\u0153uvre de Grisey,\u00a0Le Noir de l\u2019\u00c9toile<\/em>, dont le d\u00e9veloppement est guid\u00e9 par un rythme de pulsar. Et ce n\u2019est qu\u2019en arrivant au terme du voyage que l\u2019on \u00ab\u00a0entend\u00a0\u00bb les trois premiers chants comme les pr\u00e9misses du dernier.<\/span><\/p>\n

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Du point de vue de l\u2019interpr\u00e8te que je suis, c\u2019est une pi\u00e8ce qui ne semble pas poser de grandes difficult\u00e9s. De prime abord du moins, surtout pour un ensemble de la stature de l\u2019EIC. Le discours est assez d\u00e9tendu, les tempi sont lents. C\u2019est de fait une pi\u00e8ce plut\u00f4t facile \u00e0 d\u00e9chiffrer. En revanche plus on s\u2019y plonge, plus on trouve mati\u00e8re \u00e0 peaufiner afin de la faire sonner \u2014 notamment \u00e0 cause de son \u00e9criture en quarts de ton. D\u2019autant que les concepts de seuil et de basculement d\u2019un c\u00f4t\u00e9 \u00e0 l\u2019autre sont refl\u00e9t\u00e9s \u00e0 divers degr\u00e9s de la composition. Par exemple, l\u2019ensemble est divis\u00e9 spatialement. Au milieu de la sc\u00e8ne tr\u00f4nent deux tubas et, de part et d\u2019autre, tout est en double\u00a0: violoncelle \u00e0 gauche, contrebasse \u00e0 droite, et ainsi de suite.<\/span>
\nQuant \u00e0 Glaubst du an die Unsterblichkeit der Seele ?<\/em>\u00a0de Claude Vivier, c\u2019est un ovni musical. Je ne lui connais rien de comparable. C\u2019est une v\u00e9ritable rencontre avec la mort \u2014 et, le plus fou, c\u2019est que la mort d\u00e9crite est presque exactement celle qui emportera Vivier lui-m\u00eame\u00a0: poignard\u00e9 par un inconnu. Dans le m\u00eame temps, c\u2019est une musique tr\u00e8s spirituelle, presque une musique sacr\u00e9e.<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

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C\u2019est aussi une pi\u00e8ce ardue pour le ch\u0153ur de chambre de 12 voix solistes. Le mariage entre les synth\u00e9tiseurs et les textures du ch\u0153ur est excessivement d\u00e9licat. Mais, quand tout est en place, c\u2019est une pi\u00e8ce d\u2019une beaut\u00e9 presque surnaturelle, en m\u00eame temps qu\u2019absolument effrayante.<\/span><\/p>\n

 <\/p>\n

Photos (de haut en bas) : \u00a9 IsabelleMeister \/ \u00a9 MichaelSeum<\/p>\n","protected":false},"excerpt":{"rendered":"

Le chef d’orchestre et pianiste Michael Wendeberg pr\u00e9sente le programme empreint de myst\u00e8re et de spiritualit\u00e9 du concert Au-del\u00e0<\/em> du 16 novembre \u00e0 la Philharmonie de Paris. <\/p>\n","protected":false},"author":143,"featured_media":11623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[637,40,798],"class_list":["post-11612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-claude-vivier","tag-gerard-grisey","tag-michael-wendeberg","concert-au-dela"],"acf":[],"yoast_head":"\nDemandez le programme ! - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2018\/11\/demandez-le-programme\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Demandez le programme ! 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