{"id":10605,"date":"2017-10-26T16:53:49","date_gmt":"2017-10-26T14:53:49","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=10605"},"modified":"2019-03-29T13:08:42","modified_gmt":"2019-03-29T12:08:42","slug":"oeuvres-uniques-pour-concerts-uniques","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/fr\/2017\/10\/oeuvres-uniques-pour-concerts-uniques\/","title":{"rendered":"\u0152uvres uniques pour concerts uniques."},"content":{"rendered":"

\"\"
\nL<\/span>a saison 2017-18 comporte entre autres particularit\u00e9s de proposer plusieurs grands concerts pr\u00e9sentant une \u0153uvre unique, dans tous les sens du terme. Ce mois de novembre en comprend pas moins de quatre et c’est bien entendu le sujet de ce nouvel instant M.<\/span><\/strong><\/span><\/p>\n

No More Masterpieces<\/em> en tourn\u00e9e aux Pays-Bas (du 2 au 4 novembre), in vain<\/em> de Georg Friedrich Haas \u00e0 la Philharmonie de Paris (10.11), Le Encantadas o le avventure nel mare delle meraviglie<\/em>\u00a0d\u2019Olga Neuwirth \u00e0 Vienne (20.11), le Winterreise<\/em> de Schubert revisit\u00e9 par Hans Zender et pr\u00e9sent\u00e9 dans une version mise en sc\u00e8ne \u00e0 l\u2019Op\u00e9ra-Comique (23.11)\u2026 <\/span>Ce mois de novembre est celui des productions atypiques pr\u00e9sentant une seule et grande \u0153uvre. Cela est d\u2019ailleurs embl\u00e9matique d\u2019une tendance de fond dans la programmation de l\u2019Ensemble intercontemporain ces derniers temps. Nous ne sommes plus seulement invit\u00e9s pour nous produire dans des programmes disons \u00ab\u00a0traditionnels\u00a0\u00bb, minutieusement con\u00e7us et \u00e9quilibr\u00e9s (ce que l’Ensemble fait cependant encore, comme en t\u00e9moigne notre tourn\u00e9e de musique de chambre fran\u00e7aise \u00e0 Buenos Aires le 31 octobre et le 2 novembre), nous nous dirigeons de plus en plus vers des soir\u00e9es int\u00e9gralement consacr\u00e9es \u00e0 une \u0153uvre vaste, ambitieuse, hors-norme. Le Encantadas o le avventure nel mare delle meraviglie<\/em> d\u2019Olga Neuwirth est \u00e0 mon humble avis un chef-d\u2019\u0153uvre qui deviendra m\u00eame un \u00ab\u00a0classique du futur\u00a0\u00bb, tant en termes de profondeur d\u2019expression que de ma\u00eetrise de la composition.<\/span><\/p>\n

\"\"Olga Neuwirth et Matthias Pintscher, Cit\u00e9 de la musique-Philharmonie de Paris, 2015<\/span>
\n<\/a><\/p>\n

Il en va de m\u00eame pour in vain<\/em> qui est \u00e0 mon sens la cr\u00e9ation la plus forte de Georg Friedrich Haas \u00e0 ce jour, et que nous n\u2019avons pourtant jamais jou\u00e9e ! On y entend le compositeur autrichien d\u00e9velopper un nouvel usage des micro-intervalles*, pour b\u00e2tir un univers sonore unique et fascinant. Sa construction est impressionnante, d\u2019une remarquable pr\u00e9cision et dans le m\u00eame temps, lorsqu\u2019on \u00e9coute in vain, cette virtuosit\u00e9 d\u2019\u00e9laboration est \u00e9clips\u00e9e par la puissance de la musique elle-m\u00eame. Un peu comme une \u0153uvre de Bach ou de Ravel\u00a0: \u00e0 l\u2019analyse, chaque \u00e9l\u00e9ment de la partition semble logique, on pourrait presque dire que la construction tombe sous le sens, mais lorsqu\u2019on se concentre sur l\u2019\u00e9coute, tout cela se r\u00e9v\u00e8le \u00eatre un vaste geste de sons et de couleurs. in vain est une musique incroyablement riche, qui nous transporte vers de nouveaux domaines de l\u2019\u00e9coute, tout en bouleversant notre perception du temps. Une exp\u00e9rience captivante \u00e0 vivre en concert.<\/span><\/p>\n

\"\"\u00a0 <\/span>Georg Friedrich Haas <\/span>\u00a0\u00a0<\/span><\/p>\n

*\u00a0Un micro-intervalle est un intervalle musical plus petit qu’un demi-ton. Il s’agit donc (au sens le plus large) d’une note qui ne figure pas sur le clavier d’un piano classique dont l’accord est dit de temp\u00e9rament \u00e9gal.<\/span><\/span><\/p>\n

 <\/p>\n

Photos (de haut en bas) : Matthias Pintscher \u00a9 EIC \/ Olga Neuwirth et Matthias Pintscher, Cit\u00e9 de la musique-Philharmonie de Paris, 2015 \u00a9 EIC \/ Georg Friedrich Haas \u00a9 Philippe Gontier<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La saison 2017-18 comporte entre autres particularit\u00e9s de proposer plusieurs concerts pr\u00e9sentant une \u0153uvre unique, dans tous les sens du terme. Ce mois de novembre en comprend pas moins de quatre et c’est bien entendu le sujet de ce nouvel instant M<\/em>.\u00a0<\/p>\n","protected":false},"author":99,"featured_media":10610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[719],"tags":[764,579,732,488],"class_list":["post-10605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instant-m","tag-georg-friedrich-haas","tag-matthias-pinstcher","tag-no-more-masterpieces","tag-olga-neuwirth","concert-in-vain"],"acf":[],"yoast_head":"\n\u0152uvres uniques pour concerts uniques. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2017\/10\/oeuvres-uniques-pour-concerts-uniques\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0152uvres uniques pour concerts uniques. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"La saison 2017-18 comporte entre autres particularit\u00e9s de proposer plusieurs concerts pr\u00e9sentant une \u0153uvre unique, dans tous les sens du terme. 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