{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/benjamin-szpirglas\/","title":"Isabel Mundry\u00a0: le \u00ab\u00a0je\u00a0\u00bb du \u00ab\u00a0nous\u00a0\u00bb. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MoJ4ds9O6V\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/05\/isabel-mundry-le-je-du-nous\/\">Isabel Mundry\u00a0: le \u00ab\u00a0je\u00a0\u00bb du \u00ab\u00a0nous\u00a0\u00bb.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2026\/05\/isabel-mundry-le-je-du-nous\/embed\/#?secret=MoJ4ds9O6V\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Isabel Mundry\u00a0: le \u00ab\u00a0je\u00a0\u00bb du \u00ab\u00a0nous\u00a0\u00bb.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"MoJ4ds9O6V\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2026\/05\/isabel-mundry-c-aackermann.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Avec \"The I\u2019s\", cr\u00e9\u00e9e ce printemps aux Wittener Tage f\u00fcr neue Kammermusik, Isabel Mundry explore les tensions entre voix individuelle et parole collective. Le titre \u2014 qu\u2019on pourrait traduire par \u00ab les \u201cje\u201d \u00bb \u2014 r\u00e9sume l\u2019enjeu de cette partition immersive, nourrie de cultures orales et de r\u00e9flexions sur le \u00ab nous \u00bb dans l\u2019histoire r\u00e9cente allemande. Une cr\u00e9ation fran\u00e7aise \u00e0 d\u00e9couvrir le 5 juin \u00e0 la Philharmonie de Paris dans le cadre du festival ManiFeste de l\u2019Ircam."}