{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Emmanuelle Oph\u00e8le","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/ophele\/","title":"Emmanuelle Oph\u00e8le : \"For Philip Guston\". - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jajTm1Szp1\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2025\/04\/emmanuelle-ophele-for-philip-guston\/\">Emmanuelle Oph\u00e8le : \u00ab\u00a0For Philip Guston\u00a0\u00bb.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2025\/04\/emmanuelle-ophele-for-philip-guston\/embed\/#?secret=jajTm1Szp1\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Emmanuelle Oph\u00e8le : \u00ab\u00a0For Philip Guston\u00a0\u00bb.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"jajTm1Szp1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/04\/emmanuelle-ophelecfranck-ferville-1-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1727,"description":"Dans le cadre de l\u2019exposition \u00ab Corps et \u00e2mes \u00bb pr\u00e9sent\u00e9e \u00e0 la Bourse du Commerce, trois solistes y interpr\u00e8teront le 15 avril l\u2019une des \u0153uvres majeures du compositeur Morton Feldman, \u00e9crite en hommage \u00e0 son ami, le peintre am\u00e9ricain Philip Guston. D\u2019une dur\u00e9e de quatre heures, cette pi\u00e8ce repr\u00e9sente un v\u00e9ritable d\u00e9fi pour les musiciens, comme l\u2019explique la fl\u00fbtiste Emmanuelle Oph\u00e8le."}