{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Sarah Barbedette","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/s-barbedette\/","title":"Nicolas de Sta\u00ebl, d\u00e9chiquet\u00e9 de la forme. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"orOE1JI3iR\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2025\/03\/nicolas-de-stael-dechiquete-de-la-forme\/\">Nicolas de Sta\u00ebl, d\u00e9chiquet\u00e9 de la forme.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2025\/03\/nicolas-de-stael-dechiquete-de-la-forme\/embed\/#?secret=orOE1JI3iR\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Nicolas de Sta\u00ebl, d\u00e9chiquet\u00e9 de la forme.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"orOE1JI3iR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/02\/le-concert-le-grand-concert-l-orchestre-nicolas-stael-1955-huile-toile-6-3-50-0.png","thumbnail_width":1280,"thumbnail_height":763,"description":"Lundi 17 mars, au Mus\u00e9e Picasso d'Antibes, le quatuor de l'Ensemble intercontemporain, jouera plusieurs mouvements du \"Livre pour quatuor\" de Pierre Boulez devant le c\u00e9l\u00e8bre tableau \"Le Concert\", de Nicolas de Sta\u00ebl. L'occasion de revenir sur le travail du peintre fran\u00e7ais et sa relation autant artistique qu'amicale avec Pierre Boulez. \u00a0"}