{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"John Stulz","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/jstulz\/","title":"\"La main noire\" d\u2019Emmanuel Nunes. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WZCcNZxvit\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2022\/10\/la-main-noire-demmanuel-nunes\/\">\u00ab\u00a0La main noire\u00a0\u00bb d\u2019Emmanuel Nunes.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2022\/10\/la-main-noire-demmanuel-nunes\/embed\/#?secret=WZCcNZxvit\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0La main noire\u00a0\u00bb d\u2019Emmanuel Nunes.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"WZCcNZxvit\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"http:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2022\/10\/john-stulzceic.jpeg","thumbnail_width":1920,"thumbnail_height":1280,"description":"La composition de \"La main noire\", rare trio pour altos d\u2019Emmanuel Nunes, est li\u00e9e \u00e0 un personnage, La Vieille (Die Alte), de son op\u00e9ra Das M\u00e4rchen), inspir\u00e9 du conte symbolique de Goethe Le serpent vert. Le titre se r\u00e9f\u00e8re \u00e0 l\u2019\u00e9pisode o\u00f9 le personnage plonge sa main dans le fleuve et la voit ressortir compl\u00e8tement noire. L\u2019\u0153uvre, surprenante par ses modes de jeux, sera jou\u00e9e le 20 octobre \u00e0 la Cit\u00e9 de la musique. John Stulz, l\u2019un de ses interpr\u00e8tes nous livre ses impressions sur ce trio saisissant et son auteur. \u00a0\u00a0"}