{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/benjamin-szpirglas\/","title":"Toshio Hosokawa : \"The Flood\" - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"y2bqfbvDdZ\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2020\/09\/toshio-hosokawa-the-flood\/\">Toshio Hosokawa : \u00ab\u00a0The Flood\u00a0\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2020\/09\/toshio-hosokawa-the-flood\/embed\/#?secret=y2bqfbvDdZ\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Toshio Hosokawa : \u00ab\u00a0The Flood\u00a0\u00bb\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"y2bqfbvDdZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2020\/09\/p574yj-2.jpg","thumbnail_width":1920,"thumbnail_height":1335,"description":"Revenir \u00e0 l\u2019essentiel\u00a0: voil\u00e0 le th\u00e8me de notre concert du 16 septembre, qui ouvre cette nouvelle saison si particuli\u00e8re \u00e0 la Philharmonie de Paris. Parmi les essentiels, la cr\u00e9ation figure bien entendu en bonne place et c\u2019est une commande pass\u00e9e au japonais Toshio Hosokawa, \"The Flood\",\u00a0que l\u2019Ensemble intercontemporain cr\u00e9era pour l\u2019occasion. \u00a0"}