{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Rossana Dalmonte","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/rossana-dalmonte\/","title":"Luciano Berio : Le m\u00e9tier de compositeur. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZoYQwdP38L\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2019\/10\/luciano-berio-le-metier-de-compositeur\/\">Luciano Berio :  Le m\u00e9tier de compositeur.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2019\/10\/luciano-berio-le-metier-de-compositeur\/embed\/#?secret=ZoYQwdP38L\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Luciano Berio :  Le m\u00e9tier de compositeur.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"ZoYQwdP38L\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2011\/04\/berio_929187_26.jpg","thumbnail_width":2362,"thumbnail_height":1572,"description":"Publi\u00e9s pour la premi\u00e8re fois en 1981, les entretiens que Rossana Dalmonte a men\u00e9 avec Luciano Berio nous montrent le compositeur v\u00e9ritablement \u00e0 l\u2019\u0153uvre. La vision qu\u2019il offre de son propre processus cr\u00e9atif \u00e9claire ses plus grands chefs-d\u2019\u0153uvre, dont les Sequenze, n\u00e9es de sa fascination toujours amus\u00e9e pour la virtuosit\u00e9 instrumentale. Des Sequenze dont on pourra entendre deux opus, pour trompette et pour saxophone, au cours du concert du 12 novembre \u00e0 la Philharmonie de Paris."}