{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/benjamin-szpirglas\/","title":"La Sequenza VII de Luciano Berio. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HuL7uHewwt\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2019\/04\/la-sequenza-vii-de-luciano-berio\/\">La Sequenza VII de Luciano Berio.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2019\/04\/la-sequenza-vii-de-luciano-berio\/embed\/#?secret=HuL7uHewwt\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La Sequenza VII de Luciano Berio.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"HuL7uHewwt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2019\/04\/dscf0897.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Le 2 avril \u00e0 la Philharmonie de Paris, Philippe Garuvogel sera seul en sc\u00e8ne pour interpr\u00e9ter la Sequenza VII pour hautbois de Luciano Berio. Une \u0153uvre virtuose dans laquelle le compositeur italien poursuivait sa recherche de \u00ab polyphonie virtuelle \u00bb\u2026"}