{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Laure Gauthier","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/lgauthier\/","title":"in vain : quand la lumi\u00e8re surgit des t\u00e9n\u00e8bres. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QkFw0eouZd\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2017\/10\/in-vain-quand-la-lumiere-surgit-des-tenebres\/\">in vain : quand la lumi\u00e8re surgit des t\u00e9n\u00e8bres.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2017\/10\/in-vain-quand-la-lumiere-surgit-des-tenebres\/embed\/#?secret=QkFw0eouZd\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0in vain : quand la lumi\u00e8re surgit des t\u00e9n\u00e8bres.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"QkFw0eouZd\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2017\/10\/Haas-une.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Le compositeur autrichien Georg Friedrich Haas revient sur la gen\u00e8se et les enjeux artistiques de in vain (2000), une \u0153uvre entre obscurit\u00e9 et lumi\u00e8re, qui sera jou\u00e9e le 10 novembre 2017 \u00e0 la Philharmonie de Paris."}