{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Max Noubel","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/max-noubel\/","title":"Am\u00e9rique\u2026 Am\u00e9riques. Une singularit\u00e9 plurielle. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"v1QPXACrY1\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2015\/03\/amerique-ameriques-une-singularite-plurielle\/\">Am\u00e9rique\u2026 Am\u00e9riques. Une singularit\u00e9 plurielle.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2015\/03\/amerique-ameriques-une-singularite-plurielle\/embed\/#?secret=v1QPXACrY1\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Am\u00e9rique\u2026 Am\u00e9riques. Une singularit\u00e9 plurielle.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"v1QPXACrY1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2015\/03\/Reich_908864_une.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"En pr\u00e9lude au week-end \u00ab Sketches of New-York \u00bb du 24 au 26 avril 2015 \u00e0 la Philharmonie de Paris, l\u2019Ensemble jouera le\u00a0mardi 21 avril\u00a0un programme \u00ab made in USA \u00bb, entre cr\u00e9ations et classique du vingti\u00e8me si\u00e8cle. L\u2019occasion pour Max Noubel de retracer, en quelques grands jalons, l\u2019histoire de la cr\u00e9ation musicale aux Etats-Unis du vingti\u00e8me si\u00e8cle \u00e0 aujourd\u2019hui."}