{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"David Sanson","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/david-sanson\/","title":"Troubles dans le genre musical - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"G6DxAqHYQB\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2014\/11\/troubles-dans-le-genre-musical\/\">Troubles dans le genre musical<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2014\/11\/troubles-dans-le-genre-musical\/embed\/#?secret=G6DxAqHYQB\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Troubles dans le genre musical\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"G6DxAqHYQB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2014\/11\/DSC_3900.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Que cela concerne son format ou la mani\u00e8re de la \u00ab produire \u00bb et de la \u00ab composer \u00bb, la r\u00e9volution num\u00e9rique a achev\u00e9 de faire subir \u00e0 la musique la mutation que le vingti\u00e8me\u00a0si\u00e8cle, en marquant l\u2019entr\u00e9e dans une culture du \u00ab son \u00bb, avait commenc\u00e9 \u00e0 lui imprimer. Si les cat\u00e9gories institutionnelles perdurent encore bon an mal an, les murs des chapelles musicales se r\u00e9v\u00e8lent de plus en plus friables. Huit pr\u00e9ludes en E mineur \u00e0 une r\u00e9flexion sur la musique\u00a0\u00ab\u00a0transgenre\u00a0\u00bb."}