{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/benjamin-szpirglas\/","title":"Entretien avec Hid\u00e9ki Nagano, pianiste - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KRL8RAbmng\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2014\/02\/entretien-avec-hideki-nagano-pianiste\/\">Entretien avec Hid\u00e9ki Nagano, pianiste<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2014\/02\/entretien-avec-hideki-nagano-pianiste\/embed\/#?secret=KRL8RAbmng\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Entretien avec Hid\u00e9ki Nagano, pianiste\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"KRL8RAbmng\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2014\/02\/DSC_6822-une.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Il arrive que certaines \u0153uvres, plut\u00f4t que de se fixer une fois pour toutes, aient besoin de retouches successives : au contact de leur r\u00e9alisation concr\u00e8te, leur conception initiale se trouve profond\u00e9ment affect\u00e9e, d\u00e9plac\u00e9e voire transform\u00e9e. C\u2019est en \u00e9coutant pour la seconde fois son Concerto pour piano et orchestre cr\u00e9\u00e9 le 23 octobre 1986 que [&hellip;]"}