{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Laure Gauthier","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/lgauthier\/","title":"Arnold Sch\u00f6nberg : Suite opus 29 - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"u1k0B2x7Df\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2012\/03\/arnold-schonberg-suite-opus-29\/\">Arnold Sch\u00f6nberg : Suite opus 29<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2012\/03\/arnold-schonberg-suite-opus-29\/embed\/#?secret=u1k0B2x7Df\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Arnold Sch\u00f6nberg : Suite opus 29\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"u1k0B2x7Df\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2012\/03\/Schoenberg_une.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Apr\u00e8s avoir compos\u00e9 dans les ann\u00e9es 1910 des \u0153uvres atonales tr\u00e8s br\u00e8ves, Arnold Sch\u00f6nberg met au point, au d\u00e9but des ann\u00e9es 1920, la technique de composition dod\u00e9caphonique qui lui permet \u00e0 la fois de renoncer au centre de gravit\u00e9 de la tonalit\u00e9 et d\u2019organiser le mat\u00e9riau sonore en lui conf\u00e9rant une unit\u00e9 organique."}