{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Pierre-Yves Mac\u00e9","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/pierre-yves-mace\/","title":"Luciano Berio : Sequenze. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"P0RYcwYY6T\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2010\/09\/luciano-berio-sequenze\/\">Luciano Berio : Sequenze.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2010\/09\/luciano-berio-sequenze\/embed\/#?secret=P0RYcwYY6T\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Luciano Berio : Sequenze.\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"P0RYcwYY6T\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2010\/11\/20100129-_ESC3093_une.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Depuis leur lointaine gen\u00e8se, puis \u00e0 travers leur lente \u00e9volution au cours des si\u00e8cles au gr\u00e9 des usages et des besoins, les instruments de musique s\u00e9dimentent de larges pans de l\u2019histoire de la musique. Avant m\u00eame d\u2019\u00eatre sollicit\u00e9s par un compositeur, ces objets techniques parfois tr\u00e8s complexes sont porteurs d\u2019une pens\u00e9e musicale implicite\u00a0: une intelligence [&hellip;]"}