{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Francois Regnault","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/francois-regnault\/","title":"Aperghis litt\u00e9ral - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pWn8aZvz58\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2004\/01\/aperghis-litteral\/\">Aperghis litt\u00e9ral<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2004\/01\/aperghis-litteral\/embed\/#?secret=pWn8aZvz58\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Aperghis litt\u00e9ral\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"pWn8aZvz58\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Georges Aperghis a compos\u00e9 Dark Side, pour voix de femme et ensemble, \u00e0 partir des dialogues de Clytemnestre d\u2019Eschyle, retraduits par Fran\u00e7ois Regnault. Donn\u00e9e en cr\u00e9ation \u00e0 Ath\u00e8nes le 15 mars, l\u2019\u0153uvre est reprise le 19 \u00e0 Berlin puis le 6 avril \u00e0 Paris, \u00e0 la Cit\u00e9 de la musique. Auteur de deux autres livrets pour Georges Aperghis (Je vous dis que je suis mort, d\u2019apr\u00e8s Edgar Poe, et Sextuor, oratorio d\u2019apr\u00e8s L\u2019Origine des esp\u00e8ces de Darwin), Fran\u00e7ois Regnault nous invite \u00e0 retrouver avec le compositeur le sens musical intrins\u00e8que de la \u00ab\u00a0mati\u00e8re phonique\u00a0\u00bb."}