{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Alain Patrick Olivier","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/alain-patrick-olivier\/","title":"Un renouveau de l\u2019op\u00e9ra - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mIpV05WnLR\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2002\/04\/un-renouveau-de-lopera\/\">Un renouveau de l\u2019op\u00e9ra<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2002\/04\/un-renouveau-de-lopera\/embed\/#?secret=mIpV05WnLR\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Un renouveau de l\u2019op\u00e9ra\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"mIpV05WnLR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Le prochain festival d\u2019Aix-en-Provence verra la cr\u00e9ation le 5 juillet d\u2019un op\u00e9ra de P\u00e9ter E\u00f6tv\u00f6s, Le Balcon, \u00e0 partir de la pi\u00e8ce de Jean Genet, dans une mise en sc\u00e8ne de Stanislas Nordey. Apr\u00e8s le succ\u00e8s de Trois S\u0153urs, au Ch\u00e2telet, et bien d\u2019autres exemples de nouvelles productions d\u2019op\u00e9ra \u2013 K, de Philippe Manoury, ou L\u2019Amour de loin, de Kaija Saariaho \u2013 Alain Patrick Olivier nous propose ici une r\u00e9flexion sur un genre que l\u2019on avait pu croire inadapt\u00e9 \u00e0 notre temps et qui conna\u00eet, au contraire, de nouveaux d\u00e9veloppements."}