{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Alain Poirier","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/alain-poirier\/","title":"Orient-occident : vers une World Music ? - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bNquycKWsz\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2000\/09\/orient-occident-vers-une-world-music\/\">Orient-occident : vers une World Music ?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2000\/09\/orient-occident-vers-une-world-music\/embed\/#?secret=bNquycKWsz\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Orient-occident : vers une World Music ?\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"bNquycKWsz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Parall\u00e8lement \u00e0 l\u2019exposition \u00ab\u00a0la Voix du Dragon\u00a0\u00bb, qui pr\u00e9sente au Mus\u00e9e de la Cit\u00e9 de la Musique, du 21 novembre 2000 au 25 f\u00e9vrier 2001, une collection d\u2019art campanaire et d\u2019instruments chinois anciens, l\u2019Ensemble intercontemporain a plac\u00e9 sa saison 2000-2001 sous le signe des relations orient-occident. Alain Poirier situe pour nous les \u0153uvres musicales marqu\u00e9es par cette double influence."}