{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/","author_name":"Omer Corlaix","author_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/author\/omer-corlaix\/","title":"Po\u00e9sie versus musique : l\u2019art de la m\u00e9sentente - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IJxHfVEY4Z\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/fr\/1998\/09\/poesie-versus-musique-lart-de-la-mesentente\/\">Po\u00e9sie versus musique : l\u2019art de la m\u00e9sentente<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/fr\/1998\/09\/poesie-versus-musique-lart-de-la-mesentente\/embed\/#?secret=IJxHfVEY4Z\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Po\u00e9sie versus musique : l\u2019art de la m\u00e9sentente\u00a0\u00bb &#8212; Ensemble intercontemporain\" data-secret=\"IJxHfVEY4Z\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Jalonn\u00e9s par plusieurs \u0153uvres inspir\u00e9es de Mallarm\u00e9 \u2013 Gilbert Amy, Pierre Boulez, Denis Cohen, mais aussi Ravel et Hindemith \u00ad\u2013 ces trois premiers mois de rentr\u00e9e sont marqu\u00e9s du sceau de la po\u00e9sie. D\u2019hier \u00e0 aujourd\u2019hui, comment l\u2019alliance s\u2019est-elle renouvel\u00e9e\u00a0? Omer Corlaix nous invite \u00e0 consid\u00e9rer ce travail d\u2019entente, ou de m\u00e9sentente, entre musique et po\u00e9sie."}