{"id":9534,"date":"2017-01-10T13:00:25","date_gmt":"2017-01-10T11:00:25","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=9534"},"modified":"2019-04-09T12:55:37","modified_gmt":"2019-04-09T10:55:37","slug":"souvenir-de-creation-sophie-cherrier-flutiste","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2017\/01\/souvenir-de-creation-sophie-cherrier-flutiste\/","title":{"rendered":"Souvenir de cr\u00e9ation. Sophie Cherrier, fl\u00fbtiste."},"content":{"rendered":"

\"<\/span>
\n\u00c0 <\/span>l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, nous avons demand\u00e9 \u00e0 chaque soliste de nous faire part d\u2019un souvenir marquant de cr\u00e9ation. \u00a0Sophie Cherrier, fl\u00fbtiste, qui a rejoint l\u2019EIC\u00a0presque \u00e0 ses d\u00e9buts en 1980,\u00a0nous parle aujourd’hui de la cr\u00e9ation d’un chef-d\u2019\u0153uvre de Pierre Boulez\u00a0:\u00a0R\u00e9pons<\/em>.<\/strong><\/span><\/p>\n

> R\u00e9pons<\/em> (1981-1984) de Pierre Boulez, pour six solistes, ensemble, sons \u00e9lectroniques et dispositif \u00e9lectronique en temps r\u00e9el.<\/span><\/span><\/p>\n

Je me souviens, pour la derni\u00e8re version de l\u2019\u0153uvre, de notre \u00ab angoisse \u00bb en recevant, quasi \u00e0 chaque r\u00e9p\u00e9tition, des feuilles annot\u00e9es d\u2019une kyrielle de notes qu\u2019il nous fallait apprendre tr\u00e8s vite. Kristina, la copiste de Pierre, toujours souriante, arrivait le matin avec des valises sous les yeux apr\u00e8s avoir travaill\u00e9 toute la nuit pour nous apporter les nouvelles pages. Quand on conna\u00eet l\u2019\u00e9criture si petite et si fine de Pierre, on imagine ce que cela repr\u00e9sente\u2026 Je me souviens de l\u2019inqui\u00e9tude de Pierre au chiffre \u00ab21\u00bb, inqui\u00e9tude qu\u2019il a gard\u00e9e \u00e0 chaque ex\u00e9cution, comme en t\u00e9moignait sa main qui tremblait l\u00e9g\u00e8rement. Pourquoi ? Parce que le geste de \u00ab21\u00bb d\u00e9clenche l\u2019entr\u00e9e des solistes mais surtout celle de l\u2019\u00e9lectronique. \u00c0 l\u2019\u00e9poque, l\u2019on travaillait avec une console 4X ; nous en \u00e9tions au tout d\u00e9but de ce dialogue entre musiciens et \u00e9lectronique et il y avait parfois bien des rat\u00e9s\u2026 voire parfois une petite explosion ou une panne de courant. Je me souviens de ces kilos de mat\u00e9riels \u00e0 transporter lors des tourn\u00e9es et du temps de montage si long qu\u2019il nous laissait libres des journ\u00e9es enti\u00e8res entre les concerts.<\/span><\/p>\n

\"
\nJe me souviens d\u2019un passage particuli\u00e8rement virtuose que Pierre aimait diriger extr\u00eamement vite, terminant chaque fois par la question : \u00ab Et cette fois-ci, le tempo \u00e7a allait ? \u00bb Peu importait notre r\u00e9ponse : au concert, nous savions qu\u2019il l\u00e2cherait les chevaux. Je me souviens de l\u2019entr\u00e9e d\u2019une employ\u00e9e dans l\u2019Espace de projection de l\u2019Ircam, venue avec son balai pour nettoyer. Entr\u00e9e aussit\u00f4t suivie par une col\u00e8re de Pierre, laquelle col\u00e8re fut imm\u00e9diatement reprise, amplifi\u00e9e et spatialis\u00e9e par le dispositif \u00e9lectronique ! Le tout se terminant par le rire de Pierre, l\u2019\u0153il vif et p\u00e9tillant, se joignant au n\u00f4tre.<\/span><\/p>\n

\"
\n\u00c0 la carri\u00e8re de Boulbon, l\u2019\u00e9t\u00e9 1988, je me souviens du vent et de notre biblioth\u00e9caire Nicolas, \u00e0 genou \u00e0 c\u00f4t\u00e9 de Pierre pour tenir la partition pendant les quarante-cinq minutes que dure la pi\u00e8ce, et aussi de la grosse sauterelle qui sautait sur les pages. Je me souviens de nos t\u00eates quand on nous a annonc\u00e9 que nous jouerions deux fois R\u00e9pons<\/em> (deux fois quarante-cinq minutes) pour permettre au public de l\u2019entendre \u00e0 deux endroits diff\u00e9rents de la salle. Aujourd\u2019hui, nous y sommes habitu\u00e9s. Mais je me souviens surtout des merveilleux concerts de R\u00e9pons<\/em>, pi\u00e8ce embl\u00e9matique pour l\u2019Ensemble, de la magie de cette fin si belle et po\u00e9tique, des lieux superbes o\u00f9 nous l\u2019avons jou\u00e9e, de la longue tourn\u00e9e de 1986 aux \u00c9tats-Unis, de Salzbourg, du Carnegie Hall et de l\u2019accueil enthousiaste du public et en particulier celui de nombreux jeunes \u00e0 Tokyo. Tout r\u00e9cemment il nous a \u00e9t\u00e9 donn\u00e9 de revivre une grande \u00e9motion lors du concert pour les 90 ans de Pierre Boulez : R\u00e9pons<\/em> \u00e0 la Philharmonie de Paris dirig\u00e9 par Matthias Pintscher !<\/span><\/p>\n

\"
\nPhotos (de haut en bas)\u00a0: \u00a0Sophie Cherrier \u00a9 Franck Ferville \/ \u00a02 et 3 :\u00a0<\/span>R\u00e9p\u00e9tition de <\/span>R\u00e9pons<\/span><\/em> \u00e0 l\u2019Ircam en 1981 avec <\/span>Pierre Boulez<\/span> \u00a9\u00a0Marion Kalter \/ <\/span>R\u00e9pons<\/span><\/em>\u00a0\u00e0 la Philharmonie de Paris\u00a0en 2015\u00a0\u00a9 Luc Hossepied pour l\u2019EIC<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, nous avons demand\u00e9 \u00e0 chaque soliste de nous faire part d\u2019un souvenir marquant de cr\u00e9ation. <\/p>\n","protected":false},"author":5,"featured_media":9758,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[17,406,81],"class_list":["post-9534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-pierre-boulez","tag-repons","tag-sophie-cherrier"],"acf":[],"yoast_head":"\nSouvenir de cr\u00e9ation. 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