{"id":9446,"date":"2016-11-02T12:40:06","date_gmt":"2016-11-02T10:40:06","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=9446"},"modified":"2019-04-03T17:12:11","modified_gmt":"2019-04-03T15:12:11","slug":"souvenir-de-creation-frederique-cambreling-harpiste","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2016\/11\/souvenir-de-creation-frederique-cambreling-harpiste\/","title":{"rendered":"Souvenir de cr\u00e9ation. Fr\u00e9d\u00e9rique Cambreling, harpiste."},"content":{"rendered":"

\"photo-1\"<\/span>
\n<\/span><\/span>\u00c0<\/span>\u00a0<\/span><\/strong><\/span><\/span>l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, nous avons demand\u00e9 \u00e0 chaque soliste de nous faire part d\u2019un souvenir marquant de cr\u00e9ation. C\u2019est Fr\u00e9d\u00e9rique Cambreling, harpiste, entr\u00e9e \u00e0 l\u2019EIC en\u00a01993, qui livre le premier \u00ab\u00a0souvenir de cr\u00e9ation\u00a0\u00bb de cette s\u00e9rie qui nous accompagnera jusqu\u2019au trois concerts anniversaire, les 17, 18 et 30 mars 2017 \u00e0 la Philharmonie de Paris.<\/strong><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

> Cr\u00e9ation de SIMPLEXITY la beaut\u00e9 du geste<\/em> (2015-2016) pour cinq musiciens et cinq danseurs de Thierry de Mey, le 20 mai 2016 au Kaaitheater de Bruxelles<\/span><\/p>\n

L\u2019une des cr\u00e9ations qui m\u2019aura le plus marqu\u00e9e restera la pr\u00e9paration de SIMPLEXITY la beaut\u00e9 du geste<\/em> de Thierry De Mey, pour cinq musiciens et cinq danseurs. J\u2019ai toujours r\u00eav\u00e9 de participer \u00e0 un projet de cette envergure, d\u2019\u00eatre impliqu\u00e9e dans une fusion de diverses expressions musicales, gestuelles, chor\u00e9graphiques\u00a0; fusion dont la quintessence, r\u00e9sultat de cette alchimie, serait d\u2019une grande ing\u00e9niosit\u00e9 et d\u2019une extr\u00eame exigence\u00a0!<\/span><\/p>\n

\"photo-2\"
\nSans en faire \u00e9talage, Thierry de Mey prend le temps de conna\u00eetre, d\u2019appr\u00e9cier et d\u2019\u00e9valuer les talents des artistes qu\u2019il a choisis. Le travail est donc tr\u00e8s \u00e9volutif. Cette fa\u00e7on de faire ne m\u2019\u00e9tait pas famili\u00e8re\u00a0: dans notre m\u00e9tier de musiciens, nous sommes soumis, d\u2019une part, \u00e0 une pratique dirig\u00e9e sur un mat\u00e9riau d\u00e9j\u00e0 abouti venant du compositeur et, d\u2019autre part, \u00e0 un timing de r\u00e9p\u00e9titions tr\u00e8s, voire trop serr\u00e9. Dans le cas de ce spectacle, l\u2019aspect chor\u00e9graphique \u00e9tait en permanence remis en forme, au fur et \u00e0 mesure de la composition musicale\u2026 contrairement au paradigme habituel qui veut que la chor\u00e9graphie s\u2019adapte \u00e0 un mat\u00e9riau musical d\u00e9j\u00e0 existant et pens\u00e9 en amont. Thierry De Mey utilise \u00e9galement les capacit\u00e9s d\u2019improvisation des danseurs comme des musiciens\u00a0: cela lui permet d\u2019associer de mani\u00e8re judicieuse tous les artistes qui se sentiront naturellement bien ensemble.<\/span>
\nCette fa\u00e7on de proc\u00e9der m\u2019a fait perdre toute notion de temporalit\u00e9, et ces s\u00e9ances de pr\u00e9paration m\u2019ont rendue tr\u00e8s heureuse\u00a0: je n\u2019avais \u00ab\u00a0plus\u00a0\u00bb le sentiment de pratiquer un m\u00e9tier (bien que ce soit de cela qu\u2019il s\u2019agit), je me sentais presque revenir \u00e0 un \u00e9tat d\u2019enfant qui d\u00e9couvre de nouveaux terrains de jeux sans \u00eatre jug\u00e9e, jaug\u00e9e ou \u00e9pi\u00e9e\u2026 Je crois que la conception \u00e9volutive de ce spectacle est unique en son genre.<\/span><\/p>\n

\"photo-3\"<\/p>\n

 <\/p>\n

Photos \u00a9 Franck Ferville<\/p>\n","protected":false},"excerpt":{"rendered":"

A l\u2019occasion des 40 ans de l\u2019Ensemble intercontemporain en 2016-17, chaque soliste livre un souvenir marquant de cr\u00e9ation. C\u2019est Fr\u00e9d\u00e9rique Cambreling, harpiste, qui livre le premier \u00ab souvenir de cr\u00e9ation \u00bb de cette s\u00e9rie qui nous accompagnera jusqu\u2019au trois concerts anniversaire, les 17, 18 et 30 mars 2017 \u00e0 la Philharmonie de Paris.<\/p>\n","protected":false},"author":5,"featured_media":9450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[60,85,731,524],"class_list":["post-9446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretiens","tag-creation","tag-frederique-cambreling","tag-simplexity","tag-thierry-de-mey"],"acf":[],"yoast_head":"\nSouvenir de cr\u00e9ation. 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