{"id":8928,"date":"2024-06-21T11:00:39","date_gmt":"2024-06-21T09:00:39","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=8928"},"modified":"2024-06-21T12:55:21","modified_gmt":"2024-06-21T10:55:21","slug":"le-roi-fou-et-lenfant-terrible","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2024\/06\/le-roi-fou-et-lenfant-terrible\/","title":{"rendered":"Le Roi fou et l\u2019enfant terrible."},"content":{"rendered":"

 <\/p>\n

\"\"
\nDu 6 au 14 juillet, au Th\u00e9\u00e2tre du jeu de Paume d’Aix-en-Provence<\/a>, le baryton<\/span> Johannes Martin Kr\u00e4nzle, et l\u2019Ensemble intercontemporain, en formation r\u00e9duite, \u00a0dirig\u00e9s par Pierre Bleuse interpr\u00e8teront <\/span>Eight Songs for a Mad King<\/em> (1969) du compositeur britannique Sir Peter Maxwell Davies (1934-2016). L\u2019occasion de se pencher sur cette singuli\u00e8re \u0153uvre de th\u00e9\u00e2tre musical, qui m\u00e9rite d\u2019\u00eatre red\u00e9couverte.<\/span><\/strong><\/span><\/p>\n

Sir Peter Maxwell Davies n\u2019est pas un compositeur comme les autres. M\u00eame ses d\u00e9buts ne ressemblent \u00e0 aucun autre : \u00e0 14 ans, il soumet l\u2019un de ses partitions \u00e0 une \u00e9mission de radio, attirant aussit\u00f4t l\u2019attention de ses producteurs et animateurs qui font de lui un enfant prodige de l\u2019\u00e8re radiophonique. Il suit toutefois \u00e9galement une formation musicale plus traditionnelle \u2014 il b\u00e9n\u00e9ficiera ainsi des conseils et soutiens de Benjamin Britten, de Goffredo Petrassi (\u00e0 Rome), et d\u2019Aaron Copland, Roger Sessions ou encore Milton Babbit (\u00e0 Princeton). Au cours de ses \u00e9tudes \u00e0 l\u2019Universit\u00e9 de Manchester, il fonde, avec plusieurs de ses condisciples, dont Harrison Birtwistle, le groupe New Music Manchester.<\/span>
\nPersonnage haut en couleurs, Maxwell Davies (Max pour les intimes) n\u2019a pas sa langue dans sa poche\u00a0: son militantisme ouvertement r\u00e9publicain (dans un pays monarchique) et \u00e9cologiste (il compose son Yellow Cake Revue<\/em> pour protester contre l\u2019ouverture d\u2019une mine d\u2019uranium) le font rapidement conna\u00eetre comme l\u2019enfant terrible de la cr\u00e9ation musicale britannique. Quant \u00e0 son approche r\u00e9solument iconoclaste de la composition, de ses dogmes et de ses coutumes, elle \u00ab\u00a0choque\u00a0\u00bb a de nombreuses reprises la critique comme le public.
\n<\/span>
\nD\u00e8s ses premi\u00e8res partitions, il invente un langage d\u00e9lib\u00e9r\u00e9ment polystylistique, empruntant avec une insolence jubilatoire \u00e0 une grande vari\u00e9t\u00e9 de langages et de traditions. Dans sa Sinfonia<\/em> (1962), par exemple, il utilise un langage s\u00e9riel, combin\u00e9 \u00e0 des figures compositionnelles du Moyen \u00c2ge et de la Renaissance. St Thomas Wake<\/em> (1969) est le lieu d\u2019un carambolage entre le foxtrot et la musique du virginaliste \u00e9lisab\u00e9thain John Bull. Au cours de sa longue carri\u00e8re, il n\u2019h\u00e9sitera pas non plus \u00e0 p\u00eacher dans le rock ou dans le vaste r\u00e9pertoire traditionnel \u00e9cossais.
\n<\/span><\/p>\n

\"\"

\u00a0<\/p><\/div>\n

\u00c0 ce titre, Eight Songs for a Mad King<\/em> (1969) repr\u00e9sente un sommet dans le parcours de Peter Maxwell Davies. L\u2019\u0153uvre est destin\u00e9e aux Pierrot Players, un ensemble de chambre model\u00e9 sur l\u2019effectif du Pierrot Lunaire<\/em>, qu\u2019il a fond\u00e9 en 1967 avec Harrison Birtwistle, pour explorer notamment le domaine du th\u00e9\u00e2tre musical. S\u2019appuyant sur un livret de Randolph Stow, ce cycle de chansons, qui est aussi une exp\u00e9rience sc\u00e9nique acide, convoque la figure de George III pour une saisissante repr\u00e9sentation de la folie. Le roi fou, qui r\u00e9gna sur le gigantesque empire britannique de 1760 \u00e0 1820, y est d\u00e9peint reclus aupr\u00e8s de ses oiseaux, s\u2019effor\u00e7ant de leur apprendre \u00e0 chanter. Non content de s\u2019attaquer ainsi \u00e0 la figure d\u2019un monarque et donc aux d\u00e9rives de ce syst\u00e8me politique, il n\u2019h\u00e9site pas \u00e0 parodier et d\u00e9tourner au passage quelques monuments de la musique \u2014 de ceux qui sont intrins\u00e8quement associ\u00e9s \u00e0 l\u2019histoire et \u00e0 la culture de son pays, \u00e0 commencer par le Messie<\/em> de Haendel.<\/span><\/p>\n

Inutile de pr\u00e9ciser que ce chef-d\u2019\u0153uvre follement dr\u00f4le et absurde d\u00e9clencha \u00e0 l\u2019\u00e9poque un v\u00e9ritable scandale.<\/span> Dans le m\u00eame temps, Eight Songs for a Mad King<\/em> marque aussi un tournant paradoxal dans la carri\u00e8re de son compositeur. \u00c0 la fin des ann\u00e9es 1960, Maxwell Davies s\u2019installe dans les Orcades, petit chapelet d\u2019\u00eeles au nord de l\u2019\u00c9cosse, o\u00f9 il demeurera jusqu\u2019\u00e0 sa mort r\u00e9cente en mars 2016. Son \u00e9criture s\u2019assagit peu \u00e0 peu au cours de la d\u00e9cennie suivante, devenant plus lyrique. S\u2019il se distingue \u00e0 nouveau en devenant en 1996 le premier compositeur r\u00e9ellement connect\u00e9, en lan\u00e7ant son site internet MaxOpus, il se fond dans l\u2019establishment au point d\u2019\u00eatre anoblit par la Reine (qui le convertira aux bienfaits de la monarchie) et de devenir son Ma\u00eetre de Musique.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

Photos et illustrations (de haut en bas) : Peter Maxwell Davis, 1967 \u00a9 David Farrell\/Lebrecht Music & Arts \/ extrait de la partition \u00a9 Boosey& Hawkes \/ DR<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 6 au 14 juillet, au Th\u00e9\u00e2tre du jeu de Paume d’Aix-en-Provence, le baryton Johannes Martin Kr\u00e4nzle et l\u2019Ensemble intercontemporain, en formation r\u00e9duite, \u00a0dirig\u00e9s par Pierre Bleuse interpr\u00e8teront “Eight Songs for a Mad King” (1969) du compositeur britannique Sir Peter Maxwell Davies (1934-2016). L\u2019occasion de se pencher sur cette singuli\u00e8re \u0153uvre de th\u00e9\u00e2tre musical, qui m\u00e9rite d\u2019\u00eatre red\u00e9couverte.<\/p>\n","protected":false},"author":5,"featured_media":27211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[716,724],"class_list":["post-8928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-peter-maxwell-davies","tag-theatre-musical","concert-songs-fragments"],"acf":[],"yoast_head":"\nLe Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2024\/06\/le-roi-fou-et-lenfant-terrible\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Du 6 au 14 juillet, au Th\u00e9\u00e2tre du jeu de Paume d'Aix-en-Provence, le baryton Johannes Martin Kr\u00e4nzle et l\u2019Ensemble intercontemporain, en formation r\u00e9duite, \u00a0dirig\u00e9s par Pierre Bleuse interpr\u00e8teront "Eight Songs for a Mad King" (1969) du compositeur britannique Sir Peter Maxwell Davies (1934-2016). L\u2019occasion de se pencher sur cette singuli\u00e8re \u0153uvre de th\u00e9\u00e2tre musical, qui m\u00e9rite d\u2019\u00eatre red\u00e9couverte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/\" \/>\n<meta property=\"og:site_name\" content=\"Ensemble intercontemporain\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-21T09:00:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-21T10:55:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/04\/lebrecht_34658_une.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"464\" \/>\n\t<meta property=\"og:image:height\" content=\"237\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"J\u00e9remie Szpirglas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"J\u00e9remie Szpirglas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/\"},\"author\":{\"name\":\"J\u00e9remie Szpirglas\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/439a7dd5cd8a167c34c931d7cc900214\"},\"headline\":\"Le Roi fou et l\u2019enfant terrible.\",\"datePublished\":\"2024-06-21T09:00:39+00:00\",\"dateModified\":\"2024-06-21T10:55:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/\"},\"wordCount\":728,\"image\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2016\\\/05\\\/peter-maxwell-davis-1967.jpg\",\"keywords\":[\"Peter Maxwell Davies\",\"th\u00e9\u00e2tre musical\"],\"articleSection\":[\"\u00c9clairage\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/\",\"name\":\"Le Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2016\\\/05\\\/peter-maxwell-davis-1967.jpg\",\"datePublished\":\"2024-06-21T09:00:39+00:00\",\"dateModified\":\"2024-06-21T10:55:21+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/439a7dd5cd8a167c34c931d7cc900214\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2016\\\/05\\\/peter-maxwell-davis-1967.jpg\",\"contentUrl\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/content\\\/uploads\\\/2016\\\/05\\\/peter-maxwell-davis-1967.jpg\",\"width\":1920,\"height\":1310,\"caption\":\"\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/fr\\\/2024\\\/06\\\/le-roi-fou-et-lenfant-terrible\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le Roi fou et l\u2019enfant terrible.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/\",\"name\":\"Ensemble intercontemporain\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/#\\\/schema\\\/person\\\/439a7dd5cd8a167c34c931d7cc900214\",\"name\":\"J\u00e9remie Szpirglas\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g\",\"caption\":\"J\u00e9remie Szpirglas\"},\"url\":\"https:\\\/\\\/www.ensembleintercontemporain.com\\\/en\\\/author\\\/benjamin-szpirglas\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.ensembleintercontemporain.com\/en\/2024\/06\/le-roi-fou-et-lenfant-terrible\/","og_locale":"en_US","og_type":"article","og_title":"Le Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain","og_description":"Du 6 au 14 juillet, au Th\u00e9\u00e2tre du jeu de Paume d'Aix-en-Provence, le baryton Johannes Martin Kr\u00e4nzle et l\u2019Ensemble intercontemporain, en formation r\u00e9duite, \u00a0dirig\u00e9s par Pierre Bleuse interpr\u00e8teront \"Eight Songs for a Mad King\" (1969) du compositeur britannique Sir Peter Maxwell Davies (1934-2016). L\u2019occasion de se pencher sur cette singuli\u00e8re \u0153uvre de th\u00e9\u00e2tre musical, qui m\u00e9rite d\u2019\u00eatre red\u00e9couverte.","og_url":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/","og_site_name":"Ensemble intercontemporain","article_published_time":"2024-06-21T09:00:39+00:00","article_modified_time":"2024-06-21T10:55:21+00:00","og_image":[{"width":464,"height":237,"url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/04\/lebrecht_34658_une.jpg","type":"image\/jpeg"}],"author":"J\u00e9remie Szpirglas","twitter_card":"summary_large_image","twitter_misc":{"Written by":"J\u00e9remie Szpirglas","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#article","isPartOf":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/"},"author":{"name":"J\u00e9remie Szpirglas","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/439a7dd5cd8a167c34c931d7cc900214"},"headline":"Le Roi fou et l\u2019enfant terrible.","datePublished":"2024-06-21T09:00:39+00:00","dateModified":"2024-06-21T10:55:21+00:00","mainEntityOfPage":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/"},"wordCount":728,"image":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#primaryimage"},"thumbnailUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/05\/peter-maxwell-davis-1967.jpg","keywords":["Peter Maxwell Davies","th\u00e9\u00e2tre musical"],"articleSection":["\u00c9clairage"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/","url":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/","name":"Le Roi fou et l\u2019enfant terrible. - Ensemble intercontemporain","isPartOf":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#primaryimage"},"image":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#primaryimage"},"thumbnailUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/05\/peter-maxwell-davis-1967.jpg","datePublished":"2024-06-21T09:00:39+00:00","dateModified":"2024-06-21T10:55:21+00:00","author":{"@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/439a7dd5cd8a167c34c931d7cc900214"},"breadcrumb":{"@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#primaryimage","url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/05\/peter-maxwell-davis-1967.jpg","contentUrl":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2016\/05\/peter-maxwell-davis-1967.jpg","width":1920,"height":1310,"caption":""},{"@type":"BreadcrumbList","@id":"https:\/\/www.ensembleintercontemporain.com\/fr\/2024\/06\/le-roi-fou-et-lenfant-terrible\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.ensembleintercontemporain.com\/en\/"},{"@type":"ListItem","position":2,"name":"Le Roi fou et l\u2019enfant terrible."}]},{"@type":"WebSite","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#website","url":"https:\/\/www.ensembleintercontemporain.com\/en\/","name":"Ensemble intercontemporain","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.ensembleintercontemporain.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.ensembleintercontemporain.com\/en\/#\/schema\/person\/439a7dd5cd8a167c34c931d7cc900214","name":"J\u00e9remie Szpirglas","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/51406c8ec861211e1bd97cfab9a482b48101946652a6a78f911670a9a593f3ed?s=96&d=mm&r=g","caption":"J\u00e9remie Szpirglas"},"url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/benjamin-szpirglas\/"}]}},"_links":{"self":[{"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/posts\/8928\/"}],"collection":[{"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/users\/5\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/comments\/?post=8928"}],"version-history":[{"count":5,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/posts\/8928\/revisions\/"}],"predecessor-version":[{"id":27217,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/posts\/8928\/revisions\/27217\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/media\/27211\/"}],"wp:attachment":[{"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/media\/?parent=8928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/categories\/?post=8928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ensembleintercontemporain.com\/en\/wp-json\/wp\/v2\/tags\/?post=8928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}