{"id":8668,"date":"2016-01-30T14:16:09","date_gmt":"2016-01-30T12:16:09","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=8668"},"modified":"2019-04-11T11:32:15","modified_gmt":"2019-04-11T09:32:15","slug":"ivan-fedele-a-propos-de-words-and-music-de-samuel-beckett","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2016\/01\/ivan-fedele-a-propos-de-words-and-music-de-samuel-beckett\/","title":{"rendered":"Ivan Fedele : \u00c0 propos de “Words and Music” de Samuel Beckett."},"content":{"rendered":"

\"Yvan
\nLe 9 f\u00e9vrier prochain \u00e0 la Philharmonie de Paris, Ivan Fedele pr\u00e9sentera sa cr\u00e9ation musicale pour une nouvelle version sc\u00e9nique de Words and Music<\/em> (1962), une pi\u00e8ce de Samuel Beckett. Le compositeur italien livre quelques cl\u00e9s de son travail sur ce texte con\u00e7u \u00e0 l’origine pour la radio. <\/strong><\/span><\/p>\n

Lorsque l\u2019on travaille sur les textes de Samuel Beckett, on se doit d\u2019\u00eatre fid\u00e8le aux indications de mise en sc\u00e8ne nombreuses et pr\u00e9cises de l\u2019auteur, avec toutefois une certaine libert\u00e9 accord\u00e9e \u00e0 la musique.<\/span>
\nLa partition de Words and Music<\/em> a d\u00e9j\u00e0 connu plusieurs versions, l\u2019une par John Beckett, un cousin du dramaturge, une autre par Humphrey Searle et une enfin par Morton Feldman. Ces trois compositions proposent des interpr\u00e9tations tr\u00e8s diff\u00e9rentes du personnage de Music notamment, mais aussi de l\u2019atmosph\u00e8re g\u00e9n\u00e9rale de cette histoire \u00ab\u00a0impossible\u00a0\u00bb.<\/span>
\nPour la premi\u00e8re fois, chose extraordinaire, Beckett renonce \u00e0 incarner un personnage, celui de Music, pour confier le r\u00f4le \u00e0 un ensemble instrumental.<\/span>
\nSes indications ont surtout vocation \u00e0 \u00e9tablir l\u2019arc formel de la pi\u00e8ce, constitu\u00e9 de nombreux \u00e9l\u00e9ments musicaux, tant au niveau du texte dit par les acteurs qu\u2019\u00e0 celui du mat\u00e9riel compositionnel\u00a0: reprises, variations, redondances…<\/span>
\nEn \u00e9crivant la musique de cette pi\u00e8ce, je me suis moi-m\u00eame vu comme le personnage de Music. Music ne peut \u00eatre que moi\u00a0! Music, c\u2019est \u00e0 la fois l\u2019\u00e9criture musicale et la fa\u00e7on dont je per\u00e7ois le texte.<\/span>
\nL\u2019argument de Words and Music<\/em> reprend des th\u00e8mes chers \u00e0 Beckett\u00a0: le rapport entre ma\u00eetre et serviteur \u2013\u00a0en l\u2019occurrence ici deux serviteurs\u00a0\u2013, la difficult\u00e9 de mettre en relation les diff\u00e9rents \u00e9l\u00e9ments de l\u2019esprit cr\u00e9atif\u00a0; Music et Words ne vont pas bien \u00ab\u00a0ensemble\u00a0\u00bb…<\/span>
\nUn espace leur est certes commun, mais ils ont chacun du mal \u00e0 s\u2019exprimer avec les phon\u00e8mes et le langage de l\u2019autre.\u00a0Par exemple, Words ne chante pas, il \u00ab\u00a0essaie\u00a0\u00bb de chanter, ce qui est bien diff\u00e9rent.\u00a0Music pour sa part veut lui montrer le chemin, l\u2019aider \u00e0 soutenir sa voix. Mais ses nombreuses tentatives sont vou\u00e9es \u00e0 l\u2019\u00e9chec.<\/span>
\nC\u2019est ce qui m\u2019a frapp\u00e9 dans le texte\u00a0: ces trois personnages font des efforts pour se comprendre, que ce soit entre Music et Words ou entre Croak et Words, mais tout cela semble vain car ils n\u2019ont pas de projet commun.<\/span>
\nL\u2019\u00e9chantillonneur est un instrument majeur de ce dispositif musical, par la palette \u00e9tendue de sons de synth\u00e8se qui arrondissent et modulent le timbre de l\u2019ensemble instrumental, comme par l\u2019interaction qu\u2019il permet avec le jeu des acteurs.<\/span>
\nLe texte de Beckett n\u2019est pas seulement constitu\u00e9 de mots et de phrases mais aussi de g\u00e9missements, de grognements, de cris et de sanglots que je transforme et soumets \u00e0 des propositions de temps diff\u00e9r\u00e9, comme je le ferais d\u2019un instrument. L\u2019intention ici est d\u2019utiliser l\u2019\u00e9lectronique pour \u00e9largir et enrichir le potentiel musical de sonorit\u00e9s qui, par ailleurs, appartiennent \u00e0 l\u2019univers de la langue parl\u00e9e.<\/span>
\nJe traduis parfois les \u00ab\u00a0pauses\u00a0\u00bb indiqu\u00e9es par Beckett par des interventions instrumentales, d\u2019autres fois par de v\u00e9ritables silences ou des silences \u00ab\u00a0s\u00e9mantiques\u00a0\u00bb \u2013 un accord tenu, une r\u00e9sonance\u00a0; \u00e0 savoir une situation o\u00f9 le discours n\u2019\u00e9volue pas. Le silence est la ponctuation de cette pi\u00e8ce, qui, rappelons-le, a \u00e9t\u00e9 con\u00e7ue \u00e0 l\u2019origine pour la radio. Un silence, \u00e0 la radio, est quelque chose d\u2019incroyablement puissant.<\/span>
\nSur sc\u00e8ne, lorsqu\u2019il y a un silence, nous voyons un personnage \u2013 qu\u2019il soit musicien, chanteur ou acteur \u2013 \u00ab produire \u00bb ce silence. La vision remplit alors ce vide. A la radio, un silence n\u2019est combl\u00e9 par rien.<\/span><\/p>\n

 <\/p>\n

Photo \u00a9 Philippe Gontier<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 9 f\u00e9vrier prochain \u00e0 la Philharmonie de Paris, Ivan Fedele pr\u00e9sentera sa cr\u00e9ation musicale pour une nouvelle version sc\u00e9nique de Words and Music<\/em> (1962), une pi\u00e8ce de Samuel Beckett. Le compositeur italien livre quelques cl\u00e9s de son travail sur ce texte con\u00e7u \u00e0 l’origine pour la radio. <\/p>\n","protected":false},"author":117,"featured_media":8670,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[20,101,712],"class_list":["post-8668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-ivan-fedele","tag-samuel-beckett","tag-words-and-music","concert-traitres-mots","concert-words-and-music"],"acf":[],"yoast_head":"\nIvan Fedele : \u00c0 propos de "Words and Music" de Samuel Beckett. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2016\/01\/ivan-fedele-a-propos-de-words-and-music-de-samuel-beckett\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ivan Fedele : \u00c0 propos de "Words and Music" de Samuel Beckett. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 9 f\u00e9vrier prochain \u00e0 la Philharmonie de Paris, Ivan Fedele pr\u00e9sentera sa cr\u00e9ation musicale pour une nouvelle version sc\u00e9nique de Words and Music (1962), une pi\u00e8ce de Samuel Beckett. 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