{"id":31327,"date":"2026-10-07T14:25:53","date_gmt":"2026-10-07T12:25:53","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=31327"},"modified":"2026-10-07T14:25:53","modified_gmt":"2026-10-07T12:25:53","slug":"hae-sun-kang-50-ans-devolution","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2026\/10\/hae-sun-kang-50-ans-devolution\/","title":{"rendered":"Hae-Sun Kang : 50 ans d’\u00e9volution !"},"content":{"rendered":"

\"\"<\/span><\/strong><\/span><\/p>\n

C<\/span>inquante ans de cr\u00e9ation, ce sont aussi cinquante ans de transformations dans notre mani\u00e8re d\u2019\u00e9couter, de jouer et d\u2019aborder la musique contemporaine. La violoniste Hae-Sun Kang, soliste \u00e0 l’EIC depuis 1994, en t\u00e9moigne \u00e0 travers son propre parcours et le regard qu\u2019elle porte aujourd\u2019hui sur les nouvelles g\u00e9n\u00e9rations.<\/strong><\/span><\/p>\n

Depuis la fondation de l\u2019Ensemble intercontemporain par Pierre Boulez en 1976, tout a \u00e9volu\u00e9\u00a0: la musique, l\u2019\u00e9criture, le style, le monde qui nous entoure. Certains classiques ont \u00e9merg\u00e9, qui tiendront toujours.<\/span>
\nLes musiciens aussi ont chang\u00e9. Je le vois notamment au travers de mes jeunes \u00e9l\u00e8ves\u00a0: j\u2019enseigne aupr\u00e8s de trois g\u00e9n\u00e9rations de musiciens, et ceux qui ont aujourd\u2019hui entre 15 et 20 ans font preuve d\u2019une ouverture d\u2019esprit absolument remarquable. Pour eux, jouer la musique contemporaine est totalement normal \u2014 ce qui n\u2019\u00e9tait pas le cas voil\u00e0 encore 10 ans. En m\u00eame temps, ils s\u2019interrogent\u00a0: qu\u2019est-ce v\u00e9ritablement que la musique contemporaine\u00a0? Quelles sont ses sonorit\u00e9s\u00a0? Sont-ce aussi celles des musiques dites \u00ab\u00a0actuelles\u00a0\u00bb\u00a0? Celles des platinistes, comme Mariam Rezaei, avec laquelle nous avons jou\u00e9 le 19 septembre dernier\u00a0?
\n<\/span>Dans 10 ans, la musique contemporaine sera autre chose encore.<\/span> Je me souviens qu\u2019\u00e0 mes d\u00e9buts, la premi\u00e8re fois qu\u2019on m\u2019a demand\u00e9 de jouer la musique d\u2019Helmut Lachenmann, j\u2019ai franchement d\u00e9test\u00e9. Tout ce bruit\u00a0!<\/span>
\nJusqu\u2019\u00e0 ce que nous ayons, avec le quatuor \u00e0 cordes issu de l\u2019Ensemble intercontemporain, l\u2019opportunit\u00e9 d\u2019aller travailler chez lui. Nous nous sommes retrouv\u00e9s tous les quatre dans son chalet en Italie\u00a0: il y avait l\u00e0 Jeanne-Marie Conquer, Christophe Desjardins, Jean-Guihen Queyras et moi. C\u2019est l\u00e0 que j\u2019ai vraiment d\u00e9couvert sa musique. L\u00e0 que je me suis rendue compte que tout \u00e9tait pens\u00e9, tout avait \u00e9t\u00e9 exp\u00e9riment\u00e9, pes\u00e9, millim\u00e9tr\u00e9. Avec une gr\u00e2ce infinie, il a pris le temps de nous montrer pr\u00e9cis\u00e9ment toutes les techniques, tous les modes de jeu.
\nJe me souviens qu\u2019il nous a dit qu\u2019il n\u2019\u00e9tait pas forc\u00e9ment n\u00e9cessaire de prendre un \u00ab\u00a0bon\u00a0\u00bb instrument pour jouer sa musique. En revanche, il fallait poser les poser les doigts \u00e0 des endroits tr\u00e8s pr\u00e9cis sur l\u2019instrument pour produire le son recherch\u00e9. Faire exactement ce qui \u00e9tait demand\u00e9. C\u2019est l\u00e0 qu\u2019est n\u00e9e mon admiration sans borne pour l\u2019homme et sa musique. Si on fait exactement ce qu\u2019il a \u00e9crit, c\u2019est merveilleux.<\/span><\/p>\n

Photo \u00a9 Franck Ferville<\/p>\n","protected":false},"excerpt":{"rendered":"

Cinquante ans de cr\u00e9ation, ce sont aussi cinquante ans de transformations dans notre mani\u00e8re d\u2019\u00e9couter, de jouer et d\u2019aborder la musique contemporaine. La violoniste Hae-Sun Kang, soliste \u00e0 l’EIC depuis 1994, en t\u00e9moigne \u00e0 travers son propre parcours et le regard qu\u2019elle porte aujourd\u2019hui sur les nouvelles g\u00e9n\u00e9rations.<\/p>\n","protected":false},"author":203,"featured_media":31331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-31327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage"],"acf":[],"yoast_head":"\nHae-Sun Kang : 50 ans d'\u00e9volution ! - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2026\/10\/hae-sun-kang-50-ans-devolution\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hae-Sun Kang : 50 ans d'\u00e9volution ! - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Cinquante ans de cr\u00e9ation, ce sont aussi cinquante ans de transformations dans notre mani\u00e8re d\u2019\u00e9couter, de jouer et d\u2019aborder la musique contemporaine. 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