le vendredi 7 juin \u00e0 la Philharmonie de Paris<\/a> dans le cadre du festival ManiFeste de l’Ircam.\u00a0<\/span><\/span><\/strong><\/p>\nParfum d\u2019un autre monde<\/em> est l\u2019\u00e9vocation d\u2019un voyage sensoriel inspir\u00e9 par la pi\u00e8ce du th\u00e9\u00e2tre n\u00f4 Hagoromo <\/em>(la robe de plumes, n.<\/em>1), connue comme une pri\u00e8re pour la paix. \u00ab Alors que j\u2019atterris sur le rivage de Miho-no-Matsubara (n.2) et que je regarde autour de moi, des fleurs jaillissent dans l\u2019espace \u00e9th\u00e9r\u00e9, la musique r\u00e9sonne et un parfum surnaturel envahit l\u2019air… \u00bb (Hagoromo<\/em>). <\/span><\/p>\nLes mat\u00e9riaux musicaux sont bas\u00e9s sur des improvisations au violon (dont je joue). Ils sont analys\u00e9s, s\u00e9lectionn\u00e9s de mani\u00e8re intuitive, et utilis\u00e9s ensuite comme syntaxe afin de d\u00e9velopper une grammaire musicale g\u00e9n\u00e9rative \u2013 recherche que j\u2019effectue depuis plusieurs ann\u00e9es. L\u2019\u00e9ventail de la palette musicale concerne le geste, les figures, le timbre et la synth\u00e8se sonore de l\u2019\u0153uvre. Ainsi je transforme les mat\u00e9riaux musicaux de diverses mani\u00e8res. <\/span><\/p>\nLorsque l\u2019Ircam m\u2019a propos\u00e9 une diffusion sonore sp\u00e9cifique pour la cr\u00e9ation de cette \u0153uvre \u00e0 la Philharmonie de Paris, des images me sont tout de suite venues \u00e0 l\u2019esprit tandis que je composais : d\u2019une part, la fluctuation du brouillard sonore, comme un \u00e9l\u00e9ment \u00e9th\u00e9r\u00e9 qui se diffuse dans l\u2019air \u00e0 la mani\u00e8re du parfum ; d\u2019autre part, l\u2019image d\u2019une nature luxuriante qui se refl\u00e8te dans l\u2019eau iris\u00e9e, \u00e9voquant la m\u00e9tamorphose du geste instrumental.<\/span><\/p>\n <\/p>\n
![\"\"](\"http:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2024\/05\/dscf9578-1024x683.jpg\")
<\/span><\/p>\nL\u2019\u00e9lectronique est r\u00e9alis\u00e9e \u00e0 partir de sons de cordes \u2013 analys\u00e9s, segment\u00e9s, brouill\u00e9s, fusionn\u00e9s, superpos\u00e9s, immerg\u00e9s, diss\u00e9qu\u00e9s, transplant\u00e9s… Les figures cibl\u00e9es passent par diff\u00e9rentes transformations. Sur cette toile spatiale, l\u2019alto et l\u2019\u00e9lectronique se confondent en un parfum aigu, en constante mouvance. J\u2019ai imagin\u00e9 une forme musicale singuli\u00e8re, qui ne se d\u00e9finit pas : ses facettes apparaissent selon le concept Ikai<\/em> [un autre monde] dans le th\u00e9\u00e2tre n\u00f4. Dans le n\u00f4, souvent l\u2019heure n\u2019est pas d\u00e9finie ; il en va de m\u00eame pour la fronti\u00e8re entre jour et nuit. La forme se d\u00e9veloppe de fa\u00e7on multi-directionnelle selon les modifications de l\u2019ambiance musicale. Capter l\u2019instant fugace, rendre les variations par le geste, le timbre, plonger dans la figure, saisir l\u2019intangible, c\u2019est ce que le terme \u00ab m\u00e9tamorphoses \u00bb induit, dans une musique au d\u00e9veloppement continu. Cette musique enregistre la fluctuation, la mobilit\u00e9 des formes dans l\u2019espace et les changements progressifs d\u2019atmosph\u00e8re. <\/span><\/p>\nParfum d\u2019un autre monde<\/em> s\u2019ouvre sur une envol\u00e9e, une improvisation flexible \u00e0 l\u2019image du vent, dans une allure fantasmagorique. Comme les vagues sonores fa\u00e7onnent la mer, le vent sculpte les dunes ondulantes. L\u2019intensit\u00e9 progressivement enrichie nous emporte dans la volupt\u00e9 de l\u2019expression lyrique. Au c\u0153ur de l\u2019\u0153uvre, une texture fr\u00e9missante en trilles fait allusion au yugen<\/em> (beaut\u00e9 profonde et myst\u00e9rieuse du monde, charme ineffable et subtil). L\u2019univers transparent des sons harmoniques m\u00e8ne \u00e0 un d\u00e9veloppement dans la turbulence des staccatos et des d\u00e9tach\u00e9s. <\/span><\/p>\n\u00ab Le son emplit le ciel. Teintes du coucher de soleil, l\u2019azur ondule sur les vagues. La temp\u00eate disperse les nuages, pluie des fleurs tombant du ciel. La nymphe c\u00e9leste s\u2019\u00e9l\u00e8ve par-del\u00e0 le mont Fuji, puis disparait dans l\u2019\u00e9ther… \u00bb (Hagoromo<\/em>).<\/span><\/p>\n <\/p>\n
\n
\n
\n
1. Un matin de printemps, un pe\u0302cheur nomme\u0301 Hakuryo veut s\u2019approprier une robe de plumes qu\u2019il trouve suspendue a\u0300 une branche de pin. Alors qu’il tente de la rapporter chez lui comme un tre\u0301sor familial, un e\u0302tre surnaturel (une jeune nymphe ce\u0301leste) apparai\u0302t et lui demande de lui rendre la robe. Au de\u0301but, Hakuryo refuse, mais il est e\u0301mu par cette nymphe ce\u0301leste qui se lamente, car elle ne peut retourner au ciel sans elle. Elle lui demande de lui rendre la robe afin de regagner les cieux, et lui promet en e\u0301change une danse de\u0301crivant la Lune.<\/p>\n
2. Miho-no-Matsubara est une fore\u0302t de pins traverse\u0301e par les vents marins.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
<\/p>\n
Photos : \u00a0\u00a9 Mayu Hirano \/ \u00a9 EIC<\/p>\n","protected":false},"excerpt":{"rendered":"
La cr\u00e9ation pour alto et \u00e9lectronique de la jeune compositrice Mayu Hirano nous fait voyager jusqu’aux origines du th\u00e9\u00e2tre traditionnel japonais, le th\u00e9\u00e2tre n\u00f4. La compositrice revient sur son \u0153uvre, avant sa cr\u00e9ation le vendredi 7 juin \u00e0 la Philharmonie de Paris dans le cadre du festival ManiFeste de l’Ircam.<\/p>\n","protected":false},"author":220,"featured_media":26856,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-26855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-repliques"],"acf":[],"yoast_head":"\n
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