{"id":22743,"date":"2022-06-07T16:55:49","date_gmt":"2022-06-07T14:55:49","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=22743"},"modified":"2022-06-16T15:09:00","modified_gmt":"2022-06-16T13:09:00","slug":"passacaille-pour-tokyo-de-philippe-manoury","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/06\/passacaille-pour-tokyo-de-philippe-manoury\/","title":{"rendered":"“Passacaille pour Tokyo” de Philippe Manoury."},"content":{"rendered":"
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L<\/span>e 17 juin, \u00e0 la Cit\u00e9 de la musique<\/a>, l\u2019EIC jouera la virtuose Passacaille pour Tokyo<\/i> de Philippe Manoury (photo ci-dessus), avec Hid\u00e9ki Nagano au piano. Une \u0153uvre de 1994 qui, comme son titre l\u2019indique, revisite une forme musicale tr\u00e8s r\u00e9pandue aux XVII et XVIIIe<\/sup> si\u00e8cles : la passacaille. \u00a0\u00a0<\/span><\/strong><\/p>\n<\/div>\n

C<\/span>r\u00e9\u00e9e le 13 juillet 1994 \u00e0 Tokyo, La Passacaille pour Tokyo <\/i>pour piano et 17 instruments se veut le prolongement d\u2019une collaboration fructueuse entre Philippe Manoury et son ami pianiste-compositeur Ichiro Noda\u00efra, le cr\u00e9ateur, cinq ans auparavant, de Pluton <\/i>pour piano et syst\u00e8me de transformation du son en temps r\u00e9el (1988-89). Dans cette \u0153uvre d\u00e9j\u00e0, mais aussi dans Neptune <\/i>pour quatre percussions et ordinateur 4X de 1991, Manoury revisite le genre ancien de la passacaille dont l\u2019int\u00e9r\u00eat r\u00e9side pour lui dans la combinaison de deux dimensions contradictoires, \u00ab une structure de base qui ne varie jamais avec un discours qui est en continuelle \u00e9volution \u00bb. C\u2019est en pensant \u00e0 Ichiro Noda\u00efra que Manoury a imagin\u00e9 la partie de piano soliste, ce qui en explique l\u2019immense difficult\u00e9. Dans cette \u0153uvre pourtant, le piano n\u2019a pas un r\u00f4le concertant au sens romantique du terme : l\u2019orchestre prolonge les gestes du soliste davantage qu\u2019il ne s\u2019oppose \u00e0 lui. Un second piano lui r\u00e9pond depuis les coulisses faisant office \u00ab d\u2019ombre du soliste \u00bb, selon l\u2019expression du compositeur, dont il ne garde qu\u2019un vague contour de l\u2019\u00e9criture extr\u00eamement travaill\u00e9e. C\u2019est un souvenir des ann\u00e9es de jeunesse, lorsque Manoury passait devant les classes de danse \u00e0 l\u2019acoustique tr\u00e8s r\u00e9verb\u00e9r\u00e9e de la Salle Pleyel, et n\u2019entendait que le halo des pianos qui y jouaient.<\/span><\/p>\n

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\nLa partition ob\u00e9it \u00e0 une construction en miroir autour d\u2019une note centrale. Ainsi, le motif de base de la passacaille pr\u00e9sent\u00e9 en parfaite sym\u00e9trie par rapport \u00e0 cette note se trouve progressivement projet\u00e9 dans des miroirs de plus en plus d\u00e9formants au cours de ses multiples transformations : \u00ab Il y a une mise en ab\u00eeme qui r\u00e9percute en de multiples images un dessin initial. \u00bb (Philippe Manoury)<\/span><\/p>\n

 <\/p>\n

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Photos (de haut en bas)\u00a0: \u00a9 Franck Ferville \/ r\u00e9p\u00e9tition de la “Passacaille pour Tokyo”, Cit\u00e9 de la musique, juin 2022 \u00a9 Anne-Elise Grosbois<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Le 17 juin, \u00e0 la Cit\u00e9 de la musique, l\u2019EIC jouera la virtuose “Passacaille pour Tokyo” de Philippe Manoury, avec Hid\u00e9ki Nagano au piano. Une \u0153uvre de 1994 qui, comme son titre l\u2019indique, revisite une forme musicale tr\u00e8s r\u00e9pandue aux XVII et XVIIIe si\u00e8cles : la passacaille. \u00a0<\/p>\n","protected":false},"author":194,"featured_media":22744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-22743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-cantates"],"acf":[],"yoast_head":"\n"Passacaille pour Tokyo" de Philippe Manoury. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/06\/passacaille-pour-tokyo-de-philippe-manoury\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Passacaille pour Tokyo" de Philippe Manoury. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 17 juin, \u00e0 la Cit\u00e9 de la musique, l\u2019EIC jouera la virtuose "Passacaille pour Tokyo" de Philippe Manoury, avec Hid\u00e9ki Nagano au piano. 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