{"id":22620,"date":"2022-05-25T15:43:26","date_gmt":"2022-05-25T13:43:26","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=22620"},"modified":"2022-06-09T17:26:03","modified_gmt":"2022-06-09T15:26:03","slug":"mues-de-kevin-juillerat","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/05\/mues-de-kevin-juillerat\/","title":{"rendered":"“Mues” de Kevin Juillerat."},"content":{"rendered":"

 <\/p>\n

\"\"<\/span><\/span><\/strong><\/p>\n

L<\/span>e 10 juin \u00e0 la Philharmonie de Paris<\/a>, Valeria Kafelnikov sera la soliste de <\/span>Mues<\/em>, une\u00a0surprenante<\/span>\u00a0cr\u00e9ation pour harpe \u00ab\u00a0augment\u00e9e\u00a0\u00bb du jeune compositeur suisse Kevin Juillerat. Explications de la harpiste sur la forme et les particularit\u00e9s de cette nouvelle \u0153uvre qui sera cr\u00e9\u00e9e dans le cadre du festival ManiFeste de l\u2019Ircam. \u00a0\u00a0<\/span><\/strong><\/p>\n

Mues<\/em> de Kevin Juillerat est une nouvelle \u0153uvre pour harpe et \u00e9lectronique, pens\u00e9e pour un dispositif de \u00ab\u00a0harpe\u00a0augment\u00e9e\u00a0\u00bb. Les sons \u00e9lectroniques sont diffus\u00e9s en salle, non pas au moyen de haut-parleurs, mais directement au travers de la harpe (gr\u00e2ce \u00e0 des transducteurs fix\u00e9s sur la table d\u2019harmonie\u00a0; illustration ci-dessous). Ainsi le corps de l\u2019instrument devient un lieu de dialogue, et m\u00eame de joute, entre deux expressions\u00a0: l\u2019une instrumentale, l\u2019autre exog\u00e8ne, qui vient envahir et annihiler la premi\u00e8re.<\/span>
\nPendant la p\u00e9riode d\u2019\u00e9laboration de la pi\u00e8ce, Kevin Juillerat et Jo\u00e3o Svidzinsky, son r\u00e9alisateur en informatique musicale Ircam (RIM), m\u2019ont demand\u00e9 d\u2019enregistrer en studio des esquisses \u00e0 partir desquelles ils ont fabriqu\u00e9 la partie \u00e9lectronique. Tel un \u00e9cho onirique, une image de la musique pour harpe semble ainsi appara\u00eetre dans la pi\u00e8ce, puis se transformer en une cr\u00e9ature effrayante dont la puissance d\u00e9passe largement le corps sonore qui l\u2019a engendr\u00e9e.<\/span><\/p>\n

\"\"
\nLa forme cyclique de la pi\u00e8ce fait entendre de mani\u00e8re r\u00e9currente une m\u00eame proposition musicale, qui aboutit \u00e0 chaque nouvelle tentative \u00e0 la saturation. C\u2019est cette id\u00e9e d\u2019un d\u00e9veloppement toujours recommenc\u00e9, telle une mue animale, qu\u2019\u00e9voque le titre de la pi\u00e8ce.<\/span>
\nLa musique a un caract\u00e8re sombre. C\u2019est un lamento<\/em> grave et doux, fait de plaintes et de soupirs (sons gliss\u00e9s de toutes sortes, presque des portamento<\/em>, trop rarement confi\u00e9s \u00e0 la harpe). Le discours est ponctu\u00e9 de sons inharmoniques de harpe pr\u00e9par\u00e9e. \u00c0 la fin de la pi\u00e8ce, on entend m\u00eame des sons de viole de gambe (obtenus gr\u00e2ce \u00e0 un jeu \u00e0 l\u2019archet) qui viennent compl\u00e9ter cette grammaire sonore, au fond assez impropre \u00e0 un instrument \u00e0 cordes pinc\u00e9es. C\u2019est finalement une vraie vocalit\u00e9 qui se d\u00e9ploie dans cette \u0153uvre instrumentale.<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Propos recueillis par J\u00e9r\u00e9mie Szpirglas<\/em><\/p>\n

Photos (de haute en bas) : \u00a9 Franck Ferville \/ \u00a9 EIC<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 10 juin \u00e0 la Philharmonie de Paris, Valeria Kafelnikov sera la soliste de “Mues”, une\u00a0surprenante\u00a0cr\u00e9ation pour harpe \u00ab\u00a0augment\u00e9e\u00a0\u00bb du jeune compositeur suisse Kevin Juillerat. Explications de la harpiste sur la forme et les particularit\u00e9s de cette nouvelle \u0153uvre qui sera cr\u00e9\u00e9e dans le cadre du festival ManiFeste de l\u2019Ircam. \u00a0\u00a0<\/p>\n","protected":false},"author":193,"featured_media":22661,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-22620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","concert-webern"],"acf":[],"yoast_head":"\n"Mues" de Kevin Juillerat. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/05\/mues-de-kevin-juillerat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Mues" de Kevin Juillerat. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 10 juin \u00e0 la Philharmonie de Paris, Valeria Kafelnikov sera la soliste de "Mues", une\u00a0surprenante\u00a0cr\u00e9ation pour harpe \u00ab\u00a0augment\u00e9e\u00a0\u00bb du jeune compositeur suisse Kevin Juillerat. 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