{"id":21869,"date":"2022-01-04T16:40:42","date_gmt":"2022-01-04T15:40:42","guid":{"rendered":"https:\/\/www.ensembleintercontemporain.com\/?p=21869"},"modified":"2022-01-04T16:53:33","modified_gmt":"2022-01-04T15:53:33","slug":"wolfgang-rihm-tutuguri","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/01\/wolfgang-rihm-tutuguri\/","title":{"rendered":"Wolfgang Rihm : “Tutuguri”."},"content":{"rendered":"
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\nL<\/span>e 17 janvier, la Philharmonie de Paris<\/a> sera le th\u00e9\u00e2tre d\u2019un concert hors normes comprenant une seule \u0153uvre, mais quelle \u0153uvre, le titanesque et tellurique Tutuguri<\/i> de Wolfgang Rihm. L\u2019inclassable compositeur allemand revient sur l\u2019origine, po\u00e9tique, de ce grand cycle rarement jou\u00e9 en int\u00e9gralit\u00e9. \u00a0<\/span><\/strong><\/p>\n

\u00c0 la premi\u00e8re lecture du texte d\u2019Artaud (Tutuguri. Le rite du soleil noir<\/em>), un flux de musique, une pr\u00e9cipitation de musique, comme autour d\u2019un aimant\u00a0: des d\u00e9p\u00f4ts de musique. Bient\u00f4t, ce n\u2019est plus le po\u00e8me qui constituera le point de d\u00e9part, mais la conception du th\u00e9\u00e2tre chez Artaud. Ma premi\u00e8re id\u00e9e d\u2019une r\u00e9alisation chor\u00e9graphique, uniquement avec cette musique et la vision th\u00e9\u00e2trale d\u2019Artaud, est donc de s\u2019\u00e9loigner d\u2019un th\u00e9\u00e2tre \u00e0 intrigue (avec interaction de personnages) et d\u2019aller vers un th\u00e9\u00e2tre rituel, qui est lui-m\u00eame un personnage (un collectif secou\u00e9).<\/span><\/p>\n<\/div>\n

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La cons\u00e9quence premi\u00e8re pour la musique est qu\u2019elle ne peut plus continuer \u00e0 \u00eatre une figuration qui relie l\u2019arrangement de mod\u00e8les historiques plus ou moins retravaill\u00e9s, mais elle doit et c\u2019est un (de mes) v\u0153u(x) ancien(s) nous parvenir \u00e0 l\u2019\u00e9tat brut, en tant qu\u2019elle-m\u00eame, nue, comme un \u00e9tat musical. Elle doit se faire appel. Bien entendu, derri\u00e8re cette id\u00e9e du flux de musique, il y a le souhait d\u2019une musique libre et lib\u00e9r\u00e9e, qui n\u2019ob\u00e9it qu\u2019\u00e0 ses propres contraintes, la vie “pulsionnelle” des sons, se pliant \u00e0 la tension et \u00e0 la d\u00e9tente des diktats de la fantaisie. Au fond, le d\u00e9sir d\u2019une libert\u00e9 totale, aucune loi sauf la sienne propre. Mais celle-ci devient toujours plus aigu\u00eb, plus tendue, plus impatiente, pr\u00eate \u00e0 exploser\u00a0: parce que la musique conna\u00eet la notation p\u00e9nible et m\u00e9ticuleuse.
\nLa musique pour <\/span>Tutuguri<\/i> est elle aussi toujours plus nue. D\u2019habitude, toutes les \u00e9nergies musicales tendent vers la coh\u00e9sion. Le texte d\u2019Artaud n\u2019\u00e9voque aucun lien coh\u00e9rent, il en offre l\u2019image contraire l\u2019explosion. La musique ob\u00e9it continuellement\u00a0: il est d\u2019autant plus difficile de se pr\u00e9cipiter hors de la coh\u00e9sion, afin d\u2019obtenir ce qui est logique sans \u00eatre coh\u00e9rent. Une absence de lien entre les parties, aspir\u00e9es par le courant immuable du temps vision d\u2019un culte sombre et strident. Les invocations libres et sauvages de la premi\u00e8re partie n\u2019obtiennent pour r\u00e9ponse qu\u2019un pur grondement, le coup comme d\u00e9but et comme fin de la musique\u2026 (libre ou sauvage ne sont m\u00eame plus des cat\u00e9gories \u00e0 ce moment-l\u00e0).<\/span><\/p>\n

\"\"<\/p>\n<\/div>\n

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Recherche d\u2019une musique-r\u00e9flexe donc, d\u2019un corps sonore dont les tressaillements et la m\u00e9tamorphose deviennent m\u00e9lodie, rythme, couleur (pas de dualisme, refus du choix contraignant entre le oui et le non). Vers la fin, il se produit un effacement de la couleur, suspension de toute \u00e9volution logique, hormis musicale.
\n<\/span>Musicalement, cela signifie se d\u00e9partir du style et aller vers le son, le son ant\u00e9rieur. La peur inavou\u00e9e d\u2019un an\u00e9antissement de chaque minute p\u00e9n\u00e8tre dans la conscience et rien ne peut la retenir\u00a0; sans le faire expr\u00e8s, la tentative de rejoindre les atavismes se retrouve face au pr\u00e9sent \u2013 qui est apparemment le s\u00e9jour de l\u2019ant\u00e9rieur. J\u2019ai tent\u00e9 de composer une musique telle qu\u2019Artaud peut-\u00eatre la voyait. Elle doit \u00eatre la base des r\u00e9alisations sc\u00e9niques de son texte\u00a0; la vision d\u2019un chor\u00e9graphe doit la compl\u00e9ter. Le \u00ab\u00a0th\u00e9\u00e2tre de la cruaut\u00e9\u00a0\u00bb est le th\u00e9\u00e2tre des id\u00e9es \u00e0 cru, c\u2019est-\u00e0-dire non rev\u00eatues de conventions artificielles, un th\u00e9\u00e2tre des affects purs, qui veut, avec les moyens de l\u2019homme, d\u00e9passer l\u2019homme.<\/span><\/p>\n<\/div>\n

\n

In Ausgesprochen, textes et entretiens<\/i>, volume 2, Edition Amadous.
\n(Traduction Martin Kaltenecker)<\/p>\n

* \u00a0Tutuguri. Le rite du soleil noir<\/em> d’Antonin Artaud<\/p>\n

Photos (de haut en bas) : \u00a0Tutuguri<\/em> VI \u00a9 EIC \/ Wolgang Rihm\u00a0\u00a9 Marion Kalter<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Le 17 janvier, la Philharmonie de Paris sera le th\u00e9\u00e2tre d\u2019un concert hors normes comprenant une seule \u0153uvre, le titanesque et tellurique Tutuguri de Wolfgang Rihm. L\u2019inclassable compositeur allemand revient sur l\u2019origine, po\u00e9tique, de ce cycle rarement jou\u00e9 en int\u00e9gralit\u00e9. \u00a0<\/p>\n","protected":false},"author":184,"featured_media":21870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[540],"class_list":["post-21869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-wolfgang-rihm","concert-tutuguri"],"acf":[],"yoast_head":"\nWolfgang Rihm : "Tutuguri". - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2022\/01\/wolfgang-rihm-tutuguri\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wolfgang Rihm : "Tutuguri". - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Le 17 janvier, la Philharmonie de Paris sera le th\u00e9\u00e2tre d\u2019un concert hors normes comprenant une seule \u0153uvre, le titanesque et tellurique Tutuguri de Wolfgang Rihm. 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