{"id":11119,"date":"2018-03-20T11:08:04","date_gmt":"2018-03-20T09:08:04","guid":{"rendered":"http:\/\/www.ensembleinter.com\/accents-online\/?p=11119"},"modified":"2019-02-13T11:46:11","modified_gmt":"2019-02-13T10:46:11","slug":"laudition-coloree","status":"publish","type":"post","link":"https:\/\/www.ensembleintercontemporain.com\/en\/2018\/03\/laudition-coloree\/","title":{"rendered":"L’audition color\u00e9e."},"content":{"rendered":"

\"\"<\/span><\/span><\/p>\n

I<\/span>l disait que des Canyons aux \u00e9toiles<\/em>, son hymne grandiose \u00e0 la nature (qui sera jou\u00e9 le 21 mars prochain \u00e0 la Philharmonie de Luxembourg<\/a>\u00a0) \u00e9tait \u00ab\u00a0une \u0153uvre de son-couleur\u00a0\u00bb. Olivier Messiaen explicite les associations qu\u2019il faisait entre sons et couleurs dans ce court texte tir\u00e9 du c\u00e9l\u00e8bre Trait\u00e9 de rythme, de couleur et d\u2019ornithologie. \u00a0<\/strong>\u00a0<\/span><\/p>\n

Lorsque j’entends, ou lorsque je lis une partition en l’entendant int\u00e9rieurement, je vois intellectuellement des couleurs correspondantes qui tournent, bougent, se m\u00e9langent, comme les sons tournent, bougent, se m\u00e9langent, et en m\u00eame temps qu’eux.\u00a0Il ne s\u2019agit pas d’une vision oculaire, dans le genre de ces fantasmagories dangereuses et monstrueuses que sont les hallucinations color\u00e9es provoqu\u00e9es par la mescaline (alcalo\u00efde extrait d’un petit cactus mexicain, l’Echinocactus williamsii ou Peyotl). Il ne s’agit m\u00eame pas de cette curieuse maladie que Blanc-Gatti (le peintre des sons) appelait la \u00ab synopsie \u00bb, et qui \u00e9tait une synesth\u00e9sie dans sa forme la plus fr\u00e9quente : association spontan\u00e9e entre les sensations visuelles et auditives. Il s’agit seulement d’une vision int\u00e9rieure, d\u2019un \u0153il de l’esprit. Ce sont des couleurs merveilleuses, ineffables, extraordinairement vari\u00e9es. Comme les sons bougent, changent, se meuvent, ces couleurs remuent avec eux en de perp\u00e9tuelles transformations. Sans doute, il y a des constances dans ce rapport : certains agr\u00e9gats, certains accords, certains complexes de sons, r\u00e9entendus dans la m\u00eame disposition et le m\u00eame contexte, donneront toujours les m\u00eames combinaisons de couleurs. Mais les mouvements et variations de couleurs restent fugitifs et difficiles \u00e0 d\u00e9crire \u00e0 cause de leur extr\u00eame mobilit\u00e9. D\u00e9j\u00e0 un m\u00eame accord change de couleur par \u00ab\u00a0renversement\u00a0\u00bb (changement de position).<\/span><\/p>\n

 <\/p>\n

\"\"
\nAlexandre Scriabine, compositeur, \u00e9chelle des couleurs (1910)<\/span>
\n<\/a><\/p>\n

 <\/p>\n

Un fragment musical plac\u00e9 l\u00e9g\u00e8rement plus haut ou plus bas dans l’\u00e9chelle des sons (donc \u00ab\u00a0transpos\u00e9\u00a0\u00bb) acquiert \u00e9galement des couleurs diff\u00e9rentes. Les registres extr\u00eame aigu, extr\u00eame grave, ont une influence \u00e9norme sur les couleurs des sons. Le registre extr\u00eame aigu \u00e9claire : comme diraient les peintres, il \u00ab\u00a0d\u00e9grade\u00a0\u00bb les couleurs vers le blanc. Le registre extr\u00eame grave assombrit : comme diraient les peintres, il \u00ab rabat \u00bb les couleurs par le noir. Le timbre agit puissamment sur la couleur des sons : suivant qu’elle est ex\u00e9cut\u00e9e au piano, sur des mixtures d’orgue, au vibraphone, par un ensemble de cordes, par un ensemble de fl\u00fbtes, par un ensemble de hautbois et cor anglais, par des cuivres forts (trompettes et trombones), par des cuivres moelleux (cors, tubas), par des ondes Martenot, par des instruments \u00e0 r\u00e9sonances prolong\u00e9es (crotales, cloches, gongs, tam-tam) : la m\u00eame musique change encore de couleur, et il peut arriver que l’orchestration refroidisse une couleur chaude et r\u00e9chauffe une couleur froide. La dynamique joue aussi un r\u00f4le : le fortissimo, le pianissimo accusent ou diminuent l’intensit\u00e9 des couleurs. Enfin, la cin\u00e9matique (lenteur ou rapidit\u00e9 du mouvement, tempi tr\u00e8s lent, lent, mod\u00e9r\u00e9, vif, tr\u00e8s vif) brouille ou s\u00e9pare les couleurs, les \u00e9loigne ou les rapproche selon les lois de la perspective. On peut, d’ailleurs, rythmer les harmonies comme on rythme les dur\u00e9es, et du m\u00eame coup rythmer les couleurs…<\/span>
\nAdmettons a priori que nous sommes tous capables de lier le son \u00e0 la couleur et la couleur au son. Admettons a priori que nous sommes tous capables d’\u00eatre \u00e9merveill\u00e9s, d’\u00eatre \u00e9blouis par ces sons et ces couleurs, et de toucher, par eux, quelque chose de l’au-del\u00e0, cela veut dire que tout art sacr\u00e9 – qu’il soit peinture musicale ou musique color\u00e9e – doit \u00eatre d’abord une sorte d’arc-en-ciel de sons et de couleurs.<\/span><\/p>\n

Texte extrait de\u00a0: Olivier Messiaen, Trait\u00e9 de rythme, de couleur et d\u2019ornithologie<\/em> in Claude Samuel,\u00a0Permanences d\u2019Olivier Messiaen : dialogues et commentaires<\/em>\u00a0\u00a9 Actes Sud 1999<\/p>\n

 <\/p>\n

Illustrations\u00a0:<\/p>\n

Ann Veronica Janssens
\nOrange, Sea blue<\/em>, 2005 (detail)
\n2 x 750 watt halogen lamp, dichroic colour filter, tripod
\nDimensions variables \/ Courtesy: the artist<\/p>\n

Alexandre Scriabine, color scale (1910) \u00a9 akg-images<\/p>\n","protected":false},"excerpt":{"rendered":"

Il disait que Des canyons aux \u00e9toiles<\/em>, son hymne grandiose \u00e0 la nature \u00e9tait \u00ab\u00a0une \u0153uvre de son-couleur\u00a0\u00bb. Olivier Messiaen explicite les associations qu\u2019il faisait entre sons et couleurs dans ce court texte tir\u00e9 du c\u00e9l\u00e8bre Trait\u00e9 de rythme, de couleur et d\u2019ornithologie<\/em>. \u00a0\u00a0\u00a0<\/p>\n","protected":false},"author":133,"featured_media":11131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[102],"tags":[324,325],"class_list":["post-11119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eclairage","tag-des-canyons-aux-etoiles","tag-olivier-messiaen","concert-des-canyons-aux-etoiles"],"acf":[],"yoast_head":"\nL'audition color\u00e9e. - Ensemble intercontemporain<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2018\/03\/laudition-coloree\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'audition color\u00e9e. - Ensemble intercontemporain\" \/>\n<meta property=\"og:description\" content=\"Il disait que Des canyons aux \u00e9toiles, son hymne grandiose \u00e0 la nature \u00e9tait \u00ab\u00a0une \u0153uvre de son-couleur\u00a0\u00bb. 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