{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/benjamin-szpirglas\/","title":"\"Phoenix Eye, Dragon Eye\" de Yang Song. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HR7L69niKs\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/12\/phoenix-eye-dragon-eye-de-yang-song\/\">&#8220;Phoenix Eye, Dragon Eye&#8221; de Yang Song.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/12\/phoenix-eye-dragon-eye-de-yang-song\/embed\/#?secret=HR7L69niKs\" width=\"600\" height=\"338\" title=\"&#8220;&#8220;Phoenix Eye, Dragon Eye&#8221; de Yang Song.&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"HR7L69niKs\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/12\/eic-nemo-grand-soir-numerique-08dec2023-photographe-quentin-chevrier-8.jpg","thumbnail_width":1920,"thumbnail_height":1281,"description":"Entre tradition et r\u00e9invention, Song Yang explore le geste musical comme lieu de passage entre les cultures. Dans \"Phoenix Eye, Dragon Eye\", pour violoncelle, vid\u00e9o en temps r\u00e9el et \u00e9lectronique, la compositrice interroge ce que le mouvement, l\u2019espace et l\u2019image r\u00e9v\u00e8lent de la musique, en faisant dialoguer les h\u00e9ritages du guqin chinois et de l\u2019\u00e9criture occidentale contemporaine. Une \u0153uvre \u00e0 d\u00e9couvrir le 8 janvier \u00e0 la Cit\u00e9 de la musique dans le cadre d\u2019un nouveau Grand soir num\u00e9rique.\u00a0"}