{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/benjamin-szpirglas\/","title":"Pass\u00e9 recompos\u00e9. Entretien avec Carlo Laurenzi. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2jKkPlsyF4\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/12\/passe-recompose-entretien-avec-carlo-laurenzi\/\">Pass\u00e9 recompos\u00e9. Entretien avec Carlo Laurenzi.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/12\/passe-recompose-entretien-avec-carlo-laurenzi\/embed\/#?secret=2jKkPlsyF4\" width=\"600\" height=\"338\" title=\"&#8220;Pass\u00e9 recompos\u00e9. Entretien avec Carlo Laurenzi.&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"2jKkPlsyF4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/12\/imgp2738-2.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Le 12 d\u00e9cembre prochain, pour conclure en beaut\u00e9 les c\u00e9l\u00e9brations du Centenaire Boulez \u00e0 la Philharmonie de Paris, l\u2019Ensemble intercontemporain assurera en compagnie de l\u2019Orchestre du Conservatoire de Paris la recr\u00e9ation d\u2019une \u0153uvre de jeunesse de Pierre Boulez : \"Po\u00e9sie pour pouvoir\" d\u2019apr\u00e8s un singulier recueil d\u2019Henri Michaux. Une \u0153uvre qui n\u2019avait plus \u00e9t\u00e9 jou\u00e9e depuis sa premi\u00e8re cr\u00e9ation en 1958. Retir\u00e9e du catalogue par son cr\u00e9ateur insatisfait, il n\u2019en restait qu\u2019une partition non finalis\u00e9e et un enregistrement de pi\u00e8tre qualit\u00e9. Il a donc fallu la restaurer presque enti\u00e8rement, de la partition \u00e0 l\u2019\u00e9lectronique. Carlo Laurenzi, r\u00e9alisateur en informatique musicale \u00e0 l\u2019Ircam, a \u00e9t\u00e9 le principal artisan de ce chantier titanesque."}