{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"David Christoffel","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/david-christofell\/","title":"\u2009H\u00e8ctor Parra : conf\u00e9rer \u00e0 \"Orgia\" une tonalit\u00e9 ancestrale.\u2009 - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RSQW4fw0pb\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/10\/conferer-a-orgia-une-tonalite-ancestrale\/\">\u2009H\u00e8ctor Parra : conf\u00e9rer \u00e0 &#8220;Orgia&#8221; une tonalit\u00e9 ancestrale.\u2009<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2025\/10\/conferer-a-orgia-une-tonalite-ancestrale\/embed\/#?secret=RSQW4fw0pb\" width=\"600\" height=\"338\" title=\"&#8220;\u2009H\u00e8ctor Parra : conf\u00e9rer \u00e0 &#8220;Orgia&#8221; une tonalit\u00e9 ancestrale.\u2009&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"RSQW4fw0pb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2025\/10\/orgia-ensayo-general-28-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"L'op\u00e9ra \"Orgia\" d\u2019H\u00e8ctor Parra s\u2019impose comme une rencontre saisissante entre la radicalit\u00e9 po\u00e9tique de Pier Paolo Pasolini et la modernit\u00e9 lyrique du compositeur catalan. Adapt\u00e9 de la premi\u00e8re pi\u00e8ce de th\u00e9\u00e2tre de Pasolini \u00e9crite en 1968, \"Orgia\" plonge dans l\u2019intimit\u00e9 d\u2019un huis clos o\u00f9 la violence des rapports humains, la question du mal et la monstruosit\u00e9 sont expos\u00e9es sans fard, dans une soci\u00e9t\u00e9 que Pasolini juge d\u00e9shumanis\u00e9e par le consum\u00e9risme et les r\u00e9surgences du fascisme. H\u00e8ctor Parra revient sur son int\u00e9r\u00eat pour ce texte f\u00e9roce et les enjeux de son adaptation pour l\u2019op\u00e9ra, qui sera mis en sc\u00e8ne le 22 novembre par Calixto Bieito."}