{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Feliz Anne Reyes Macahis","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/felix-anne\/","title":"Feliz Anne Reyes Macahis : \"Diwata\" - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NB1fpMaP2n\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2024\/06\/feliz-anne-reyes-macahis-diwata\/\">Feliz Anne Reyes Macahis : &#8220;Diwata&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2024\/06\/feliz-anne-reyes-macahis-diwata\/embed\/#?secret=NB1fpMaP2n\" width=\"600\" height=\"338\" title=\"&#8220;Feliz Anne Reyes Macahis : &#8220;Diwata&#8221;&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"NB1fpMaP2n\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2024\/06\/img-5290-pp.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Pour Feliz Anne Reyes Macahis, \u00ab Diwata \u00bb \u00a0\u00ab\u00a0tente d\u2019explorer la notion de mat\u00e9rialit\u00e9 de la voix\u00a0\u00bb. Explications de la compositrice d\u2019origine philippine sur cette \u0153uvre pour ensemble cr\u00e9\u00e9e en 2020, au programme du concert du 22 juin au Centre Pompidou, dans le cadre du festival ManiFeste de l\u2019Ircam."}