{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"John Stulz","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/jstulz\/","title":"Avant-gardes am\u00e9ricaines. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"miPh576Xi5\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2021\/10\/avant-gardes-americaines\/\">Avant-gardes am\u00e9ricaines.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2021\/10\/avant-gardes-americaines\/embed\/#?secret=miPh576Xi5\" width=\"600\" height=\"338\" title=\"&#8220;Avant-gardes am\u00e9ricaines.&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"miPh576Xi5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2021\/10\/img3139.jpg","thumbnail_width":1920,"thumbnail_height":1322,"description":"Le 6 novembre \u00e0 la Philharmonie de Paris, les solistes de l\u2019Ensemble intercontemporain retrouveront ceux de l\u2019Orchestre de Paris pour le concert M\u00e9canique des cordes avec, au programme, cinq pionniers des musiques de cr\u00e9ation aux \u00c9tats-Unis. John Stulz, altiste \u00e0 l\u2019EIC, livre son \u00e9clairage sur ce programme original qu\u2019il a lui-m\u00eame con\u00e7u\u2026 \u00a0\u00a0"}