{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Thomas Vergracht","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/tvergracht\/","title":"Rebecca Saunders : \"sculpter le son\". - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"kee8EtLVan\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2021\/04\/rebecca-saunders-sculpter-le-son\/\">Rebecca Saunders : &#8220;sculpter le son&#8221;.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2021\/04\/rebecca-saunders-sculpter-le-son\/embed\/#?secret=kee8EtLVan\" width=\"600\" height=\"338\" title=\"&#8220;Rebecca Saunders : &#8220;sculpter le son&#8221;.&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"kee8EtLVan\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2021\/04\/1-saunders-c-astrid-ackermann.jpg","thumbnail_width":1920,"thumbnail_height":1224,"description":"Une musique d\u2019une violente tranquillit\u00e9. Voil\u00e0 qui pourrait r\u00e9sumer l\u2019univers tout en tension de la compositrice anglaise Rebecca Saunders devenue en quelques ann\u00e9es une figure majeure de la sc\u00e8ne musicale contemporaine. Portrait, audio, d\u2019une musicienne se d\u00e9finissant volontiers comme une \u00ab\u00a0sculptrice\u00a0\u00bb de son. \u00a0"}