{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Axelle Corty","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/acorty\/","title":"De haut vol. Entretien avec Elizabeth Streb. - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GeNQZMc7Fl\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2019\/08\/de-haut-vol-entretien-avec-elizabeth-streb\/\">De haut vol. Entretien avec Elizabeth Streb.<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2019\/08\/de-haut-vol-entretien-avec-elizabeth-streb\/embed\/#?secret=GeNQZMc7Fl\" width=\"600\" height=\"338\" title=\"&#8220;De haut vol. Entretien avec Elizabeth Streb.&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"GeNQZMc7Fl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2019\/07\/streb_ioulex_3031913-ec-1.jpg","thumbnail_width":1920,"thumbnail_height":1278,"description":"Des sauts dans le vide \u00e0 dix m\u00e8tres du sol, des machines qui mettent les corps en apesanteur\u2026 Avec sa compagnie Streb Extreme Action, bas\u00e9e \u00e0 New York, la chor\u00e9graphe am\u00e9ricaine Elizabeth Streb r\u00e9v\u00e8le l\u2019incroyable potentiel des corps. Pour la r\u00e9ouverture du Th\u00e9\u00e2tre du Ch\u00e2telet, le 13 septembre, elle cr\u00e9e Parade, hommage au ballet d\u2019Erik Satie avec une musique du compositeur fran\u00e7ais Pierre-Yves Mac\u00e9."}