{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"J\u00e9remie Szpirglas","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/benjamin-szpirglas\/","title":"\u00ab Aello - ballet m\u00e9canomorphe \u00bb d\u2019Olga Neuwirth - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YyVkLhjeaB\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2019\/03\/aello-ballet-mecanomorphe-dolga-neuwirth\/\">\u00ab Aello &#8211; ballet m\u00e9canomorphe \u00bb d\u2019Olga Neuwirth<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2019\/03\/aello-ballet-mecanomorphe-dolga-neuwirth\/embed\/#?secret=YyVkLhjeaB\" width=\"600\" height=\"338\" title=\"&#8220;\u00ab Aello &#8211; ballet m\u00e9canomorphe \u00bb d\u2019Olga Neuwirth&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"YyVkLhjeaB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2019\/03\/dscf0042.jpg","thumbnail_width":1920,"thumbnail_height":1242,"description":"Une fl\u00fbte solo, deux trompettes avec sourdines, un ensemble de cordes, un clavier et une\u2026 machine \u00e0 \u00e9crire. C\u2019est l\u2019effectif requis par Aello de la compositrice autrichienne Olga Neuwirth, qui sera pr\u00e9sent\u00e9e pour la premi\u00e8re fois en France samedi 16 mars \u00e0 la Philharmonie de Paris. Eclairage sur une \u0153uvre en forme d\u2019hommage iconoclaste \u00e0 Jean-S\u00e9bastien Bach."}