{"version":"1.0","provider_name":"Ensemble intercontemporain","provider_url":"https:\/\/www.ensembleintercontemporain.com\/en\/","author_name":"Jean Jourdheuil","author_url":"https:\/\/www.ensembleintercontemporain.com\/en\/author\/jean-jourdheuil\/","title":"Heiner M\u00fcller : le texte comme mat\u00e9riau musical - Ensemble intercontemporain","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"njYwJaLHEP\"><a href=\"https:\/\/www.ensembleintercontemporain.com\/en\/2013\/03\/heiner-muller-le-texte-comme-materiau-musical\/\">Heiner M\u00fcller : le texte comme mat\u00e9riau musical<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.ensembleintercontemporain.com\/en\/2013\/03\/heiner-muller-le-texte-comme-materiau-musical\/embed\/#?secret=njYwJaLHEP\" width=\"600\" height=\"338\" title=\"&#8220;Heiner M\u00fcller : le texte comme mat\u00e9riau musical&#8221; &#8212; Ensemble intercontemporain\" data-secret=\"njYwJaLHEP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.ensembleintercontemporain.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.ensembleintercontemporain.com\/content\/uploads\/2013\/03\/alaune.jpg","thumbnail_width":464,"thumbnail_height":237,"description":"Dans son op\u00e9ra Quartett, donn\u00e9 en version de concert \u00e0 la Cit\u00e9 de la musique le 19\u00a0mars, Luca Francesconi se r\u00e9f\u00e8re \u00e0 une pi\u00e8ce de Heiner M\u00fcller \u2013 op\u00e9rant elle-m\u00eame une relecture radicale des Liaisons dangereuses de Choderlos de Laclos. L\u2019\u00e9crivain et metteur en sc\u00e8ne Jean Jourdheuil, \u00e0 qui l\u2019on doit la d\u00e9couverte en France de l\u2019\u0153uvre du dramaturge allemand dont il fut le traducteur et l\u2019ami, interroge ici les profondes articulations \u00e0 la musique d\u2019une \u00e9criture th\u00e9\u00e2trale qui a fortement marqu\u00e9 les compositeurs de notre temps."}